Heart of Oak: A Three-Stranded Yarn, vol. 3Russell, William Clark
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Heart of Oak: A Three-Stranded Yarn, vol. 3
Russell, William Clark
English fiction -- 19th century; Sea stories
The scene of ocean was wonderfully grand at this hour: it was not
blowing hard, yet the wind out of the heads off the ridges it made,
and the swell was rolling now in furrows of foam. The fog was broken
up and sailing off in compact masses with the wide white-lived heave
of sea gleaming and glancing through the foundations of vapour, till
you looked to see the stuff rock as though afloat. Lanes and openings
stretched in all directions, and I did not know where to direct my eyes
first, so noble, wild, and startling was the picture of that tall black
ship showing in a wide, clear space, her canvas waving in squares of
light in the framing of the sallow smother, whilst on the starboard
quarter hung a stately incomparable spectacle of iceberg, a giant mass,
the height vaster to the imagination because the fog showed you bits
of it only--in one place marble white cliffs staring through a passage
of vapour, a little further on, a gray pinnacle piercing the stuff
which streamed off it like torn rag. And now I could hear, but faintly,
the noise of the sea breaking along its base.
We had passed a good deal of ice during the week; but this was the
place where the 'Lady Emma' was abandoned; that white vapour-clothed
mountain took a significance none other had. I thought of it as ice
that had been seen by Marie's own eyes. It was as a revelation, too,
of the savage, forbidding, tremendous scene of desolation the brig was
bound to, with myself in her, dreaming, hoping, praying to Almighty God
I should find my sweetheart in the hull alive.
Many large white and grey birds flew out of the vapour into the
openings; they glanced against the marble-like abrupt and vanished. In
the midst of a wide flaw right abeam to port, another tall berg was
floating. It, too, was a sight of terror and awful beauty, with a look
as of frozen foam about the brows of it where the fog was flying, the
vapour whitening out to the shadow of the ice as though moon-smitten,
whilst low down on the right arched a piece of marvellous architecture,
like a Titanic Gothic doorway, through which every swell of the sea
flashed, bursting into a terrible fury and dazzling brightness of foam.
I looked on in silence, keeping the shelter of the companion, whilst
the brig under her little show of cloths broke her way to windward,
helped by the tall black ship whose drift was towards us. After some
waiting we were within hailing distance. She was just such another
whaler as the 'Sea Queen,' but bigger by a couple of hundred tons, worn
and weedy, rolling dark decks at us with a glimpse of a black-roofed
galley and smoking chimney. She was rich with ice device: fathoms of
thick crystal hung from her tops, catheads, bowsprit and quarters; a
dull light sank down her glass-like rigging as she swayed. A crowd
of men viewed us over her rail, and a man stood awaiting us beside
the mizzen rigging, an arm wrapping a backstay, and his figure like a
bear's with fur to his heels.
Public-domain text, read in full here on John Shaqi.
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