American fiction -- 20th century; Short stories, American; West (U.S.) -- Social life and customs -- Fiction
But some four squares farther down lively preparations were being made
to minister to Mr. Catesby’s love for interchange of compliments and
repartee. On the previous night numerous messengers had hastened to
advise Buck Patterson, the city marshal, of Calliope’s impending
eruption. The patience of that official, often strained in extending
leniency toward the disturber’s misdeeds, had been overtaxed. In
Quicksand some indulgence was accorded the natural ebullition of human
nature. Providing that the lives of the more useful citizens were not
recklessly squandered, or too much property needlessly laid waste, the
community sentiment was against a too strict enforcement of the law.
But Calliope had raised the limit. His outbursts had been too frequent
and too violent to come within the classification of a normal and
sanitary relaxation of spirit.
Buck Patterson had been expecting and awaiting in his little
ten-by-twelve frame office that preliminary yell announcing that
Calliope was feeling blue. When the signal came the city marshal rose
to his feet and buckled on his guns. Two deputy sheriffs and three
citizens who had proven the edible qualities of fire also stood up,
ready to bandy with Calliope’s leaden jocularities.
“Gather that fellow in,” said Buck Patterson, setting forth the lines
of the campaign. “Don’t have no talk, but shoot as soon as you can get
a show. Keep behind cover and bring him down. He’s a nogood ’un. It’s
up to Calliope to turn up his toes this time, I reckon. Go to him all
spraddled out, boys. And don’t git too reckless, for what Calliope
shoots at he hits.”
Buck Patterson, tall, muscular, and solemn-faced, with his bright “City
Marshal” badge shining on the breast of his blue flannel shirt, gave
his posse directions for the onslaught upon Calliope. The plan was to
accomplish the downfall of the Quicksand Terror without loss to the
attacking party, if possible.
The splenetic Calliope, unconscious of retributive plots, was steaming
down the channel, cannonading on either side, when he suddenly became
aware of breakers ahead. The city marshal and one of the deputies rose
up behind some dry-goods boxes half a square to the front and opened
fire. At the same time the rest of the posse, divided, shelled him from
two side streets up which they were cautiously manoeuvring from a
well-executed detour.
The first volley broke the lock of one of Calliope’s guns, cut a neat
underbit in his right ear, and exploded a cartridge in his crossbelt,
scorching his ribs as it burst. Feeling braced up by this unexpected
tonic to his spiritual depression, Calliope executed a fortissimo note
from his upper register, and returned the fire like an echo. The
upholders of the law dodged at his flash, but a trifle too late to save
one of the deputies a bullet just above the elbow, and the marshal a
bleeding cheek from a splinter that a ball tore from the box he had
ducked behind.
Public-domain text, read in full here on John Shaqi.
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