American fiction -- 20th century; Short stories, American; West (U.S.) -- Social life and customs -- Fiction
“I ain’t seen my son before,” she continued, “in eight years. One of my
nephews, Elkanah Price, he’s a conductor on one of them railroads and
he got me a pass to come out here. I can stay a whole week on it, and
then it’ll take me back again. Jest think, now, that little boy of mine
has got to be a officer—a city marshal of a whole town! That’s
somethin’ like a constable, ain’t it? I never knowed he was a officer;
he didn’t say nothin’ about it in his letters. I reckon he thought his
old mother’d be skeered about the danger he was in. But, laws! I never
was much of a hand to git skeered. ’Tain’t no use. I heard them guns
a-shootin’ while I was gettin’ off them cars, and I see smoke a-comin’
out of the depot, but I jest walked right along. Then I see son’s face
lookin’ out through the window. I knowed him at oncet. He met me at the
door, and squeezes me ’most to death. And there you was, sir, a-lyin’
there jest like you was dead, and I ’lowed we’d see what might be done
to help sot you up.”
“I think I’ll sit up now,” said the concussion patient. “I’m feeling
pretty fair by this time.”
He sat, somewhat weakly yet, leaning against the wall. He was a rugged
man, big-boned and straight. His eyes, steady and keen, seemed to
linger upon the face of the man standing so still above him. His look
wandered often from the face he studied to the marshal’s badge upon the
other’s breast.
“Yes, yes, you’ll be all right,” said the old woman, patting his arm,
“if you don’t get to cuttin’ up agin, and havin’ folks shooting at you.
Son told me about you, sir, while you was layin’ senseless on the
floor. Don’t you take it as meddlesome fer an old woman with a son as
big as you to talk about it. And you mustn’t hold no grudge ag’in’ my
son for havin’ to shoot at ye. A officer has got to take up for the
law—it’s his duty—and them that acts bad and lives wrong has to suffer.
Don’t blame my son any, sir—’tain’t his fault. He’s always been a good
boy—good when he was growin’ up, and kind and ’bedient and
well-behaved. Won’t you let me advise you, sir, not to do so no more?
Be a good man, and leave liquor alone and live peaceably and goodly.
Keep away from bad company and work honest and sleep sweet.”
The black-mitted hand of the old pleader gently touched the breast of
the man she addressed. Very earnest and candid her old, worn face
looked. In her rusty black dress and antique bonnet she sat, near the
close of a long life, and epitomised the experience of the world. Still
the man to whom she spoke gazed above her head, contemplating the
silent son of the old mother.
“What does the marshal say?” he asked. “Does he believe the advice is
good? Suppose the marshal speaks up and says if the talk’s all right?”
Public-domain text, read in full here on John Shaqi.
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