To satisfy the curious, I will give these principles in greater detail. The two fundamental, figures are a horizontal line (⚊, Yang) and the one which is broken into two equal parts (⚋, Yin). The first which is the perfect, the father, the manlike, the unity, such as is represented by the Pythagoreans, represents the affirmative; the second is the imperfect, the mother, the womanly, the duality and the negation. These signs are held in high esteem, for they are considered to be the Principles of things. First of all they are placed in combination of two from which four figures result: ⚌, ⚍, ⚎, ⚏, or the great Yang, the little Yang, the little Yin, and the great Yin. The signification of these four representations is matter as perfect and imperfect. The two Yangs are perfect matter: the first is in the category of youth and power; the second is the same matter, but as old and powerless. The third and fourth images, where Yin constitutes the basis, are imperfect matter, which has again the two determinations of youth and age, strength and weakness. These lines are further united in sets of three, and thus eight figures result, which are called Kua, ☰, ☱, ☲, ☳, ☴, ☵, ☶, ☷. I will give the interpretation of these Kua just to show how superficial it is. The first sign, containing the great Yang and the Yang is the Heavens (Tien) or the all-pervading ether. The Heavens to the Chinese means what is highest, and it has been a great source of division amongst the missionaries whether they ought to call the Christian God, Tien, or not. The second sign is pure water (Tui), the third pure fire (Li), the fourth thunder (Tschin), the fifth wind (Siun), the sixth common water (Kan), the seventh mountains (Ken), the eighth the earth (Kuen). We should not place heaven, thunder, wind and mountains on the same footing. We may thus obtain a philosophic origin for everything out of these abstract thoughts of absolute unity and duality. All symbols have the advantage of indicating thoughts and of calling up significations, and in this way such are likewise present there. Thought thus forms the first beginning, but afterwards it goes into the clouds, and Philosophy does likewise. Therefore if Windischmann[11] in his commentary recognizes in this system of Confucius, a “thorough interconnection between all Kua in the whole series,” it should be remembered that not a particle of the Notion is to be found in it. United further in sets of four, the lines produce sixty-four figures, which the Chinese consider to be the origin of their characters, since there have been added to these straight lines those which are perpendicular and inclined in different directions.