and raised above the prejudices of his time, he received the offer of a professor’s chair at Heidelberg, with the assurance that he would have liberty to teach and to write, because “the Prince believed he would not put that liberty to a bad use by interfering with the religion publicly established.” Spinoza (in his published letters) very wisely declined this offer, however, because “he did not know within what limits that philosophic liberty would have to be confined, in order that he might not appear to be interfering with the publicly established religion.” He remained in Holland, a country highly interesting in the history of general culture, as it was the first in Europe to show the example of universal toleration, and afforded to many a place of refuge where they might enjoy liberty of thought; for fierce as was the rage of the theologians there against Bekker, for example (Bruck. Hist. crit. phil. T. IV. P. 2, pp. 719, 720), and furious as were the attacks of Voetius on the Cartesian philosophy, these had not the consequences which they would have had in another land. Spinoza died on the 21st of February, 1677, in the forty-fourth year of his age. The cause of his death was consumption, from which he had long been a sufferer; this was in harmony with his system of philosophy, according to which all particularity and individuality pass away in the one substance. A Protestant divine, Colerus by name, who published a biography of Spinoza, inveighs strongly against him, it is true, but gives nevertheless a most minute and kindly description of his circumstances and surroundings—telling how he left only about two hundred thalers, what debts he had, and so on. A bill included in the inventory, in which the barber requests payment due him by M. Spinoza of blessed memory, scandalizes the parson very much, and regarding it he makes the observation: “Had the barber but known what sort of a creature Spinoza was, he certainly would not have spoken of his blessed memory.” The German translator of this biography writes under the portrait of Spinoza: _characterem, reprobationis in vultu gerens_, applying this description to a countenance which doubtless expresses the melancholy of a profound thinker, but is otherwise mild and benevolent. The _reprobatio_ is certainly correct; but it is not a reprobation in the passive sense; it is an active disapprobation on Spinoza’s part of the opinions, errors and thoughtless passions of mankind.[193]