same time determined through and with all the rest. Thus the facts embodied in his sensation are authenticated, not by his mere subjective representation and distinction of the facts as something external from the person, but by virtue of the concrete interconnexion in which each part stands with all parts of this complex. The waking state is the concrete consciousness of this mutual corroboration of each single factor of its content by all the others in the picture as perceived. The consciousness of this interdependence need not be explicit and distinct. Still this general setting to all sensations is implicitly present in the concrete feeling of self.—In order to see the difference of dreaming and waking we need only keep in view the Kantian distinction between subjectivity and objectivity of mental representation (the latter depending upon determination through categories): remembering, as already noted, that what is actually present in mind need not be therefore explicitly realised in consciousness, just as little as the exaltation of the intellectual sense to God need stand before consciousness in the shape of proofs of God’s existence, although, as before explained, these proofs only serve to express the net worth and content of that feeling. (γ) Sensibility(121). § 399. Sleep and waking are, primarily, it is true, not mere alterations, but _alternating_ conditions (a progression _in infinitum_). This is their formal and negative relationship: but in it the _affirmative_ relationship is also involved. In the self-certified existence of waking soul its mere existence is implicit as an “ideal” factor: the features which make up its sleeping nature, where they are implicitly as in their substance, are _found_ by the waking soul, in its own self, and, be it noted, for itself. The fact that these particulars, though as a mode of mind they are distinguished from the self-identity of our self-centred being, are yet simply contained in its simplicity, is what we call sensibility. § 400. Sensibility (feeling) is the form of the dull stirring, the inarticulate breathing, of the spirit through its unconscious and unintelligent individuality, where every definite feature is still “immediate,”—neither specially developed in its content nor set in distinction as objective to subject, but treated as belonging to its most special, its natural peculiarity. The content of sensation is thus limited and transient, belonging as it does to natural, immediate being,—to what is therefore qualitative and finite.