And they believed every one of those curious things which no one believes nowadays—which are only gibed at. (And I am not sure that they who gibe are more wise than they who believe—are you?) There were certain signs of the zodiac, movements of the constellations, phases of the moon, and meteorological conditions for the doing of everything—from the medication of mortal illness to the planting of beets in their little garden. And they knew, and scrupulously propitiated, every influence for good or evil luck. Nevertheless they were curiously modern in thought and attitude—fresh—young—interested. They liked my glittering automobile with its snorting terrors, and recalled Mother Shipton’s prophecy concerning it. But they would not ride in it. Not because they did not trust it and me, but because they instinctively knew that they would create an unpicturesque anachronism. They understood that they belonged to the world of 1850. Yet they adored children—and the more modern their dress and manners the more they loved them. When the youngsters came (they were always being invited—inveigled, in fact), the shutters were flung wide as if the sisters said: “Yes, the shadows are for us. But the sunshine is for you!” Still nothing in that house was of a childish sort—except those children’s clothes packed away in the garret. It was here that they would spend their holidays. Sitting on the floor they would open the chests which were before trunks, and the fragile one would put the tiny garments into the hands of the blind one—piece after piece—and chatter softly: “Hiliary’s, you know.” “Oh, yes! The one with the blue-fringed ruffles,” the blind one would answer. “Mildred’s little patchwork quilt.” “She was three, then.” “Yes. She sat in the little rocker to sew.” “Yes—it had _blue_ pinks painted on the back.” “She used to say that she couldn’t sew except in the little rocker.” They would both laugh at that. “And she would rock furiously!” “Yes, and _sew_ that way! Feel these savage stitches!” “And sing!” “Yes.” The frail one would sing, then, in a small, quavering voice; and if she had not to cry too much, the blind one would join in the song—especially in the refrain—with an alto that went wrong more often than right—as they say it did when she sang in the choir. For both of them used to sing in the choir. And they still loved music. Sometimes, sitting behind their thick, black veils, in the corner of the faded church no one ever took from them, they would hear the old organist play (they let him do so whenever the young lady had a headache), “Fading, Still Fading.” Then they would reach out and hold each other by the hand. For that had been a famous duet of theirs. In fact, they still yearned to sing whenever they heard it. But that would not do. Only the choir sang now.