Heimweh; The siren; The loaded gun; Liebereich; "Iupiter Tonans;" "Sis;" Thor's emerald; GuileLong, John Luther
General
Heimweh; The siren; The loaded gun; Liebereich; "Iupiter Tonans;" "Sis;" Thor's emerald; Guile
Long, John Luther
American fiction -- 20th century; Short stories, American
Now they had a teapot. It had come, like everything else in that house,
from their ancestors. It was not like their other china, blue, but
golden—a coppery gold under an iridescent glaze that made it look like
real gold at a little distance. And this teapot was not tall—and
commonplace. It was low and long from handle to spout—and oval—with
vertical fluting. And on each side was sculptured an imposing medallion
within which was a blue rose.
Always, when they sat at meat, this was between the two dear old ladies.
And the one groped for it so perilously—in a certain affright—and the
hand of the other trembled so when she poured from it, that I often
interposed. Alas! it was more to preserve than to help; for you have
perceived, no doubt, that I coveted the teapot.
However, the old ladies were embarrassed by my help. They wanted to pour
their tea for themselves, as their grandmother had done, out of this
same pot. Nevertheless, they suffered my assistance with a grace which I
remember even now for its gentleness.
IV
THE STORY AT LAST. ATTEND!
Then, upon an idle day, searching one of the big stores in my city for a
gift for them, I came upon the self-pouring teapot—not unmindful of the
peril of the other one. I explained to the too polite clerk that I
wanted something for my dear old ladies, and he assured me that I had
discovered precisely the thing—that it had been invented with dear old
ladies constantly in mind: the while he had been giving me the most deft
“demonstration” I had ever beheld. Each act kept pace with some telling
phrase.
It was a huge, mechanical thing, of which, if one depressed a cylinder,
the air was forced out of the spout, and ahead of it flowed the tea. The
name of it was “Eureka.”
I bought it and had the monograms of the dear old ladies graven
unreadably on its triple-plated sides.
On the day of its presentation I noticed a certain lack of joyousness in
the gift. But I explained that to myself by the appalling shining
impudence of the thing in the midst of their chaste colorlessness. I
labored industriously to quench its brilliance by passing my hands over
it at every opportunity. But the servant—alas! there was one
now—invariably brought it to the table in a renewed state of polish
which maddened me. However, I taught them how to “work” the machine, and
they diligently learned; so that whenever I came it was religiously
used, though with a retrogression of skill at which I marvelled until I
learned from the maid that it was used _only_ when I was there, and in
my absence was made immaculate, packed in its cotton wool, and put away
in its gaudy box.
Unhappily the blind one lifted the thing heavily to pour from it one
day. I restrained her. She flushed a little and said:
“I can’t and _can’t_ seem to get used to it. Seems as if I _must_ do it
as grandmother did—which is ridiculous.”
Public-domain text, read in full here on John Shaqi.
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