Heimweh; The siren; The loaded gun; Liebereich; "Iupiter Tonans;" "Sis;" Thor's emerald; GuileLong, John Luther
General
Heimweh; The siren; The loaded gun; Liebereich; "Iupiter Tonans;" "Sis;" Thor's emerald; Guile
Long, John Luther
American fiction -- 20th century; Short stories, American
And the face of the other one was flushed, too. But I knew very
certainly that meant joy. For her beautiful dark eyes looked straightly
and happily into mine. Yet—there were tears there, too!
And so you see that the saying of the dear old lady is once more proven
true. People cry for joy.
I reached across the table, scattering the teacups as I went, and took a
hand of each.
“A beautiful story,” I said.
“It is the first time,” said she, happily, who had told it so badly. “I
didn’t think I could tell a story. But somehow I was just carried
along.”
“It shall never be told again,” I said, “unless you permit it.”
But I pressed the hand of the blind one, slowly, gently, until her head
drooped a little further and she responded:
“Not until we are both dead.”
I have kept the faith. They are both dead.
And I will not put into printed words the thoughts of my mind. I will
not spoil the story of the dear old ladies by making it orderly and
conventional. For fifty years the frail one had believed in the mystery
of it—had even seen God in it. A miracle! How unquestioning was faith
then! How simple was she!
But I may tell you what I see, here, as I write.
First, that other one, with sudden understanding turning the coin, like
an accomplished palmist! Then again, stealing down the stairs in her
white night garments, after her sister, and hearing that prayer of
agony—then back—for that money—all prepared—because of the earlier
prayers—but halting—then, finally, to bed, like a wraith, pretending
sleep, having made the supreme sacrifice of her small life.
And I can see her the next day, swearing that prim-faced old banker, in
his dusty office, to eternal silence and untruth—an oath he kept with
faith.
I wish I might _not_ see her putting aside forever that trousseau—the
wedding journey—the little hoard. For these meant that _she_ had been
_sure_ of Hiliary. And, perhaps, that she and her sister were afterward
to part for _her_ wedded happiness. Was it not best as it happened?
And those sobs—I do not like to hear them—so terrible as to deprive her
of her sight. The while she had to think of _them_ in the light and she
forever in the dark. And alone! Alone! But it is good to know—is it
not?—that they truly lived happy ever after—that the end of all was joy?
That she lived with him she loved and who loved her all the rest of his
life—in the sound of his voice—in the touch of his hands—in all the
gentleness of him—all the more intimately in that she was blind? For she
might touch him then as she pleased—and it was his duty to protect
her—sometimes he might kiss her. For you will remember that the other
one did not mind. And that those were greater times for kissing than
these.
Public-domain text, read in full here on John Shaqi.
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