Heimweh; The siren; The loaded gun; Liebereich; "Iupiter Tonans;" "Sis;" Thor's emerald; GuileLong, John Luther
General
Heimweh; The siren; The loaded gun; Liebereich; "Iupiter Tonans;" "Sis;" Thor's emerald; Guile
Long, John Luther
American fiction -- 20th century; Short stories, American
And at the disappointment in his face a pretty light came to her own.
She gave him her hand without his asking—for the first time—and
whispered—for the first time, also:
“Forgive me—John.”
Then, shocked at herself, she explained:
“The Quakers use the first name, always, thee knows.”
“I know,” said John Rem, kissing the little thing he held.
VII
THE INEFFABLE WHIRL
And so, in time, they came into temptation worse than his—the surge of
the orchestra. He felt her arm tremble in his and drew it very close.
“Yes!” she gasped.
“Are you frightened?”
“I am gone mad!”
It was not yet their time, and he drew her to a nook behind the curtain
of jasmines where they were alone.
“Why did thee bring me here?” she asked.
“I want to call you Mary Ann,” he said.
“Mad, too!” she laughed.
“For the first time in my life, I believe,” he said, “I am embarrassed.
I feel like he must feel who has gayly stolen something and found it
immeasurably precious. But, yet—”
“Hush! Thee is mad, too. Be content. Soon we shall wake and find it all
a dream. But, me? Oh, John, John, John, let me dream this one dream and
ever after sleep!”
The orchestra, as if answering her wish, opened a waltz. She cried out
and put her hands close on her ears. But even then she swayed to the
rhythm, she closed her eyes, and slowly moved to the beating of the arch
tempting of the violins, as if it were all part of some spell. John Rem
put his arm about her waist. She raised her head a moment and looked
with a gasp of ecstasy fair into his eyes, then gave him her hands.
And, so, they danced—all the night. There were—yes—other times when they
sat there behind the jasmines—but, for her, the vibration—the mad
ecstasy never ceased.
Then, at last, it was all over. The orchestra had ceased. And they were
once more behind the jasmine pillars, quite bereft of sense of other
being than that which had been among the violins.
The touch of the feather of his chapeau on her cheek was enough. She
lifted up her face to him. And when he had raised the mask, there was a
look such as he had never seen even in his dreams of the fairest woman
in the world. Damp tendrils of her hair flowed over her cheeks. Within
its calyx of a lily was indeed the rose. And there it blushed and pulsed
with the newest and the oldest emotions that have ever stirred a woman’s
soul. Her lips begged kisses, hungry, insensible, mad, and were not
denied.
But then she shuddered at her deed.
“Take me home!” she cried. “I am an outcast!”
“Yes,” whispered Bell-Bell’s voice behind him, “take her home—you
brute!”
In the carriage she shuddered away from him.
“No!” she cried. “I am a monster! And you have let me be one!”
But when he had brought her in and was dejectedly taking his leave, the
sudden passion came again as it had come that moment when he kissed her.
Public-domain text, read in full here on John Shaqi.
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