Helbeck of Bannisdale — Volume IWard, Humphry, Mrs.
General
Helbeck of Bannisdale — Volume I
Ward, Humphry, Mrs.
Religious fiction
Laura was of opinion that his first business might very well have been to
see a little more of his widowed sister! She and Augustina spent days and
days alone, while Mr. Helbeck pursued the affairs of the Church. One
precious attempt indeed had been made to break the dulness of Bannisdale.
Miss Fountain's cheeks burned when she thought of it. There had been an
afternoon party! though Augustina's widowhood was barely a year old! Mrs.
Fountain had been sent about the country delivering notes and cards. And
the result:--oh, such a party!--such an interminable afternoon! Where had
the people come from?--who were they? If Polly, full of curiosity, asked
for some details, Laura would toss her head and reply that she knew
nothing at all about it; that Mrs. Denton had provided bad tea and worse
cakes, and the guests had "filled their chairs," and there was nothing
else to say. Mr. Helbeck's shyness and efforts; the glances of appeal he
threw every now and then towards his sister; his evident depression when
the thing was done--these things were not told to Polly. There was a
place for them in the girl's sore mind; but they did not come to speech.
Anyway she believed--nay, was quite sure--that Bannisdale would not be so
tried a second time. For whose benefit was it done?--whose!
One evening----
As the train crossed the bridge of the estuary, from one stretch of hot
sand to another, Laura, staring at the view, saw really nothing but an
image of the mind, felt nothing except what came through the magic of
memory.
The hall of Bannisdale, with the lingering daylight of the north still
coming in at ten o'clock through the uncurtained oriel windows--herself
at the piano, Augustina on the settle--a scent of night and flowers
spreading through the dim place from the open windows of the drawing-room
beyond. One candle is beside her--and there are strange glints of
moonlight here and there on the panelling. A tall figure enters from the
chapel passage. Augustina makes room on the settle--the Squire leans back
and listens. And the girl at the piano plays; the stillness and the night
seem to lay releasing hands upon her; bonds that have been stifling and
cramping the soul break down; she plays with all her self, as she might
have talked or wept to a friend--to her father.... And at last, in a
pause, the Squire puts a new candle beside her, and his deep shy voice
commends her, asks her to go on playing. Afterwards, there is a pleasant
and gentle talk for half an hour--Augustina can hardly be made to go to
bed--and when at last she rises, the girl's small hand slips into the
man's, is lost there, feels a new lingering touch, from which both
withdraw in almost equal haste. And the night, for the girl, is broken
with restlessness, with wild efforts to draw the old fetters tight again,
to clamp and prison something that flutters--that struggles.
Public-domain text, read in full here on John Shaqi.
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