Helbeck of Bannisdale — Volume IWard, Humphry, Mrs.
General
Helbeck of Bannisdale — Volume I
Ward, Humphry, Mrs.
Religious fiction
Meanwhile all else was forgotten. As to food, Helbeck and Father
Leadham--according to the letters describing her experiences which Laura
wrote during these weeks to a Cambridge girl friend--lived upon "a cup of
coffee and a banana" per day, and she had endless difficulty in
restraining her charge, Augustina, from doing likewise. For Augustina,
indeed--Stephen Fountain's little black-robed widow--her husband was
daily receding further and further into a dim and dreadful distance,
where she feared and yet wept to think of him. She passed her time in the
intoxication of her recovered faith, excited by the people around her, by
the services in the chapel, and by her very terrors over her own unholy
union, lapse, and restoration. The sound of intoning, the scent, of
incense, seemed to pervade the house; and at the centre of all brooded
that mysterious Presence upon the altar, which drew the passion of
Catholic hearts to itself in ever deeper measure as the great days of
Holy Week and Easter approached.
Through all this drama of an inventive and exacting faith, Laura Fountain
passed like a being from another world, an alien and a mocking spirit.
She said nothing, but her eyes were satires. The effect of her presence
in the house was felt probably by all its inmates, and by many of its
visitors. She did not again express herself--except rarely to
Augustina--with the vehemence she had shown to the little lame orphan;
she was quite ready to chat and laugh upon occasion with Father Leadham,
who had a pleasant wit, and now and then deliberately sought her society;
and, owing to the feebleness of Augustina, she, quite unconsciously,
established certain household ways which spoke the woman, and were new to
Bannisdale. She filled the drawing-room with daffodils; she made the
tea-table by the hall fire a cheerful place for any who might visit it;
she flitted about the house in the prettiest and neatest of spring
dresses; her hair, her face, her white hands and neck shone amid the
shadows of the panelling like jewels in a casket. Everyone was conscious
of her--uneasily conscious. She yielded herself to no one, was touched by
no one. She stood apart, and through her cold, light ways spoke the world
and the spirit that deny--the world at which the Catholic shudders.
Public-domain text, read in full here on John Shaqi.
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