Hampstead was surprised to find how near the divan the inanimate chair
appeared to have removed itself. Had he pushed it absently with his
leg, as he made place for her, or had she, or had the thing
itself—insensate wood and leather and plush—felt, too, the irresistible
thrall of this magnetic, beauty-dowered creature who snuggled amid these
silken panniers?
"I do not know diamonds very well," the minister confessed, sinking down
into the chair.
"Look at them," Marien said, with a delightful note of intimacy in her
voice, at the same time lowering her chin close, in order to survey the
jewels as they lay upon her breast.
In John’s eyes, this downcast glance gave Marien an expression that was
Madonna-like and holy, and this again deepened his feeling of pity for
her heartaches, and his anxiety to help her in what it was her whim to
mask from him for the moment with all this childish play of interest in
her jewels and in her own beauty. But it also disposed him to humor her
the more, removing all sense of restraint when he followed the glance of
her eye to where the more brilliant stones of the pendant lay in the
snowy vale of her bosom, or when, leaning closer still, he could see
that their intermittent flashing facets were responding to the pulsing
of her heart.
"And what is the amber stone?" he asked innocently.
"Amber!" Marien laughed. "It is a canary diamond, the finest stone of
all. It alone cost four thousand dollars."
"Four thousand dollars!" The minister drew in his breath slowly. "It
had not occurred to me that there were such jewels outside of royal
crowns and detective stories," he stammered. "Four thousand dollars!
What did the whole necklace cost?"
"Twenty-two," the actress answered almost boastfully, again bending to
survey the blazing inverted arch of jewels.
"Thousand?" The minister’s inflection expressed his incredulousness.
"Thousand," Marien iterated with a complacent drop of the voice, and
then, while the fingers of one hand toyed with the pendant, went on: "I
have a perfect passion for diamonds! That canary stone has temperament,
life almost. Perhaps it is a whim of mine, but it seems to me that it
reflects my moods. When I am downcast, it is dull and lusterless; when
I am happy, it flashes brilliantly, like a blazing sun.
"It is influenced by those whom I am with. It never burned so
brilliantly as now. Your presence has an effect upon it. Cup your
fingers and hold it for a moment, and see, after an interval, if its
luster does not change."
Public-domain text, read in full here on John Shaqi.
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