And whatever was at the back of the trick Miss Dounay had played—and
there was generally something back of her caprices—in thrusting John
Hampstead, with whom she had practically quarreled, into this group of
guests, she appeared to forget him entirely in the succession of whims,
moods, and graces with which she proceeded to their entertainment.
For one thing, she admitted them to the large room which served as her
boudoir, into which they had seen her go in gold and spangles to emerge
like a miracle in demure black velvet.
Of course, there was an excuse for thus titillating the curiosity of
vigorous men with that lure of mysterious enchantment which lurks in the
boudoir of a lovely woman, and the excuse was that the room, while
half-boudoir, was also half-studio, and held tables on which were
displayed the models of the stage sets and the costumer’s designs for
Miss Dounay’s coming London production.
As the actress had divined, the inspection of these fascinating details
of stagecraft interested her guests as much as the display of them
delighted her.
In the hour which ensued before the supper, a collation that in its
variety and substance again proved how well the actress comprehended the
appetite of the male, two or three guests arrived tardily. The earliest
of these to enter was Rollo Charles Burbeck, who came in ample time to
roam about the room of mystery at will with the remainder of the guests.
Indeed, he stayed in it so much that its enchantment for him might have
been presumed to be greater than for the others.
Before the supper, too, one of the guests craved the liberty of
departing. This was the Reverend John Hampstead. The farewell of his
hostess was gracious and without the slightest reminiscence of anything
unpleasant, but he was prevented from more than mentally congratulating
himself upon the change in her manner toward him by the fact that in
walking some ten feet from where he touched the fingers of his hostess
to where a butler-sort of person, borrowed from the hotel staff, stood
waiting with his overcoat, Doctor Hampstead came face to face with
Rollie Burbeck, who was just emerging from the boudoir-studio with a
disturbed look upon his usually placid face, as if, for instance, he had
seen a ghost.
In consequence, the minister moved down the corridor to the elevator,
not pondering upon his own perplexities, but thinking to himself, "I
wonder now if that young man is in any serious trouble. It would break
his mother’s heart—it would kill her if he were."
*CHAPTER XXIV.*
*THE DAY OF ALL DAYS*
Next morning Doctor Hampstead was up bright and early, clad in his long
study gown and walking, according to custom, beneath his palm trees,
while he reflected on the duties of the day before him. This was really
the day of all days for him, but he did not know it.
Public-domain text, read in full here on John Shaqi.
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