"Dear!" That was a woman’s word. Bessie said that about her invitation
paper for the Phrosos.
"Dear?" he breathed, comparing it in one swift estimating glance to his
own barren cell. "It’s a paradise!"
"So much more seclusion than in hotels," declared Marien, and then went
on to say in that sort of tone which belongs to an air of frank and
simple comradeship: "So much less expensive, too. Do you know what
saves a girl in this business? Money! Ready money. And do you know
what ruins her? Extravagance—debt. We are very economical, Julie and I.
We have what crooks call ’fall money’, laid by for any emergency.
That’s what you’ll need to do. Save half your salary every week.
There’ll be weeks you don’t play, weeks when you have to go to expense.
You may be ill or have an accident, or your company will close
unexpectedly. Save. Save your money!"
Marien uttered these bits of practical wisdom, which were to John the
revelation of an unthought-of side of this exquisite young woman’s
character while she was conducting him toward the window.
"Sit here," she commanded. "Look straight down Turk. See the lights
battling with the fog. Listen to the waning music of the night in this
noisy, cobbly, clangy city. Don’t turn your head till I say!"
The lights were indeed beautiful, each with its halo of mist. The
clanging bells of cars, and even the horrible squeak of the wheels as
they turned a curve, with the low singing of the cables that drew them,
did rise up like the orchestration of some strange new motif of the
night that lulled him till he was only faintly conscious of the opening
and closing of doors and a rustling at the other end of the room.
"Now!" called the voice of Marien cheerily, awakening him with a sudden
thrill to the realization of her presence.
She stood at the far end of the room, surveying herself in a long
mirror. Her figure was draped rather than dressed in a silken,
shimmering texture of black, splashed with great red conventional
flowers. The garment flowed loosely at neck, sleeves, and waist, and
the fabric was corrugated by a succession of narrow, vertical,
unstitched pleats, which gave an illusory effect of yielding to every
movement of the sinuous body and yet clinging the closer while it
yielded. As John gazed, Marien belted this flowing drapery at the waist
with a knot of tiny crimson cord, and then released her coils of rich
dark hair so that they fell to her hips in a fluttering cascade as silky
as the texture of her robe.
When she advanced to him, the shimmering, billowy movements of the gown
matched the rhythmic sway of her limbs as completely as the red splashes
upon it matched the color of her cheeks. She came laughing softly, and
bearing in her hand a pair of tiny red and gold slippers.
A low divan ran along one side of the room, piled high with gay
cushions. Near the foot of it was a Roman chair.
Public-domain text, read in full here on John Shaqi.
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