Women were hard to understand. They seemed to do things that had no
meaning; to use words not to convey but to conceal thought; and they
spoke half their speeches in riddles. However, John reflected that when
he had been with women more, he would know them better. And in the
meantime he supplemented his professional contacts with Marien by
thinking of her constantly, even to the point where his absorbing
interest led him to follow her home at night after the play,—keeping
always at a safe distance behind,—and to stand across the street and
watch till the light went on in that third-story bay-window on Turk
Street near Mason; and then still to stand, trying to interpret the
meaning of shadows moving across the window for uncounted hours, till
the light went out, sometimes at two and sometimes later, or until a
policeman bade him move on. If any one had told John that he was
falling in love with Marien Dounay, he would have indignantly rejected
the idea. She held a fascinating interest for him,—that was all.
Something basic in him was attracted by something basic in her, and he
yielded to it wonderingly, experimentally almost, and that was all it
amounted to.
But on the night that Miss Dounay completed her engagement at the
People’s, for her tiff with Mowrey was over in just four weeks, the
opportunity came to John to submit his feelings to more searching
experimentation.
It had been his custom to wait in the shadowy wings each night to see
the object of his solicitous interest depart, supposing himself always
to be unobserved. But on this last night Marien surprised him into
nervous thrills by walking over into the shadow with the cool assurance
of an autocrat, and saying:
"Come home to supper with me, John."
At the same time Miss Dounay took the big man’s arm as comfortably as if
the matter had been arranged the week before last, and John walked out
as if on air, but hurriedly. That soft touch upon his arm made him
hungry with indescribable anticipations. Moreover, he was stirred by an
itching curiosity concerning the whole of the intimate personal life of
Marien Dounay. Who was she? What was she? _How_ was she?
Yet on the very threshold of the little apartment, his sense of what was
conventional in the world out of which he had come halted him.
"Should I?" he asked huskily, as the door stood open. "Would it
be—proper?"
"Most particularly proper, innocent!" laughed Marien. "At the theater
Julie is my maid; at home she is my housekeeper, my social secretary, my
companion, and chaperone."
While the light of reassurance kindled on John’s face, Marien gently
drew him inside.
"Behold!" she exclaimed with a stage gesture, when the door was closed
behind him. "My temporary home; my balcony window overlooking the
street, my alcove wherein I sleep, the kitchenette in which we cook;
behind that the bath, and back of that Julie’s own room. Isn’t it dear?"
Public-domain text, read in full here on John Shaqi.
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