And so she had been carried to the Martin cottage--to her talk with John at the old house--to the Mill--to this. As one may intuitively sense the crisis in a great struggle between life and death, this woman knew that in this man all her disturbing life questions were centered. Deep beneath the many changes that her father's material success in life had brought to her, one unalterable life fact asserted itself with startling power: It was this man who had first awakened in her the consciousness of her womanhood. Face to face with this workman in her father's Mill, she fought to control the situation. To all outward appearances she did control it. Her brother saw only a reserved interest in his workman comrade. Captain Martin saw only the daughter of his employer who had so coldly preferred her newer friends to the less pretentious companions of her girlhood. But beneath the commonplace remarks demanded by the occasion, the Helen of the old house was struggling for supremacy. The spirit that she had felt in the office when John talked with his fellow workmen, she felt now in the presence of this workman. The power, the strength, the bigness, the meaning of the Mill, as it had come to her, were all personified in him. A strange exultation of possession lifted her up. She was hungry for her own; she wanted to cry out: "This work is my work--these people are my people--this man is my man!" It was Captain Charlie who ended the interview with the excuse that the big machine needed his immediate attention. He had stood as they talked with a hand on one of the controls and several times he had turned a watchful eye on his charge. It was almost, Helen thought with a little thrill of triumph, as though the man sought in the familiar touch of his iron and steel a calmness and self-control that he needed. But now, when he turned to give his attention wholly to his work, with the effect of politely dismissing her, she felt as though he had suddenly, if ever so politely, closed a door in her face. John must have felt it a little, too, for he became rather quiet as they went on and soon concluded their inspection of the plant. At the office door, Helen paused and turned to look back, as if reluctant to leave the scene that had now such meaning for her, while her brother stood silently watching her. Not until they were back in the manager's office and Helen was ready to return to the outside world did John Ward speak. Facing her with his straightforward soldierly manner, he said, inquiringly, "Well?" She returned his look with steady frankness. "I can't tell you what I think about it all now, John dear. Sometime, perhaps, I may try. It is too big--too vital--too close. I am glad I came. I am sorry, too." So he took her to her waiting car. For a moment he stood looking thoughtfully after the departing machine and then, with an odd little smile, went back to his work. CHAPTER XVII IN THE NIGHT