But as for that, the princess lady herself did not quite understand
either. Perhaps the sight of little Maggie and her play lady friends so
elegantly costumed for their social function had suddenly convinced her
that these children of the Flats were of her world after all. Perhaps
the shouting children had awakened memories that banished for the
moment the sadness of her grown-up years. Or it may have been simply
the way that wee Maggie held her battered doll. It may have been that
the mother instinct of this wistful mite of humanity quickened in the
heart of the young woman something that was deeper, more vital, more
real to her womanhood than the things to which she had so far given
herself. As the Helen of the old house had longed to cry aloud in the
Mill her recognition of her man, she hungered now with a strange woman
hunger for the feel of a child in her arms.
And so, with no care for her gown, which was sure to be ruined by this
contact with the grime of the Flats, with no question as to what people
might think, with no thought for class standards or industrial
problems, the daughter of Adam Ward took the children of Sam Whaley in
her arms and carried them away from the shadow of that dark cloud that
hung always above the Mill. From the smoke and dust and filth of their
heritage, she took them into the clean, sunny air of the hillside
fields and woods. From the hovels and shanties of their familiar haunts
she took them where birds made their nests and the golden bees and
bright-winged butterflies were busy among their flowers. From the
squalid want and cruel neglect of their poverty she took them into a
fairyland that was overflowing with the riches that belong to
childhood.
And then, when the sun was red above the bluff where the curving line
of cliffs end at the river's edge, she brought them back.
For some reason that has never been made satisfactorily clear by the
wise ones who lead the world's thinking, Bobby and Maggie must always
be brought back to their home in the Flats, the princess lady must
always return to her castle on the hill.
* * * * *
Charlie Martin was unusually quiet when he returned home from his work
that day. The father mentioned Helen's visit to the Mill, and Mary had
many questions to ask, but the soldier workman, usually so ready to
talk and laugh with his sister, answered only in monosyllables or
silently permitted the older man to carry the burden of the
conversation.
When supper was over and it was dark, Charlie, saying that he thought
he ought to attend Jake Vodell's street meeting that evening, left the
house.
But Captain Charlie did not go to hear the agitator's soap-box oration
that night. For an hour or more, under cover of the darkness, the
workman sat on the porch of the old house next door to his home.
Public-domain text, read in full here on John Shaqi.
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