Before accepting the invitation to be seated, Adam advanced upon the
man in the wheel chair with outstretched hands, as if eagerly meeting a
most intimate friend whose regard he prized above all other
relationships of life. Seizing the Interpreter's hand, he clung to it
in an excess of cordiality, all the while pouring out between short
laughs of pretended gladness, a hurried volume of excuses for having so
long delayed calling upon his dear old friend. To any one at all
acquainted with the man, it would have been very clear that he wanted
something.
"It seems ages since I saw you," he declared, as he seated himself at
last. "It's a shame for a man to neglect an old friend as I have
neglected you."
The Interpreter returned, calmly, "The last time you called was just
before your son enlisted. You wanted me to help you keep him at home."
It was too dark to see Adam's face. "So it was, I remember now." There
was a suggestion of nervousness in the laugh which followed his words.
"The time before that," said the Interpreter evenly, "was when Tom
Blair was killed in the Mill. You wanted me to persuade Tom's widow
that you were in no way liable for the accident."
The barometer of Adam's friendliness dropped another degree. "That
affair was finally settled at five thousand," he said, and this time he
did not laugh.
"The time before that," said the Interpreter, "was when your old friend
Peter Martin's wife died. You wanted me to explain to the workmen who
attended the funeral how necessary it was for you to take that hour out
of their pay checks."
"You have a good memory," said the visitor, coldly, as he stirred
uneasily in the dusk.
"I have," agreed the man in the wheel chair; "I find it a great
blessing at times. It is the only thing that preserves my sense of
humor. It is not always easy to preserve one's sense of humor, is it,
Adam Ward?"
When the Mill owner answered, his voice, more than his words, told how
determined he was to hold his ground of pleasant, friendly comradeship,
at least until he had gained the object of his visit.
"Don't you ever get lonesome up here? Sort of gloomy, ain't
it--especially at nights?"
"Oh, no," returned the Interpreter; "I have many interesting callers;
there are always my work and my books and always, night and day, I have
our Mill over there."
"Heh! What! _Our_ Mill! Where? Oh, I see--yes--_our_ Mill--that's good!
_Our_ Mill!"
"Surely you will admit that I have some small interest in the Mill
where we once worked side by side, will you not, Adam?"
"Oh, yes," laughed Adam, helping on the jest. "But let me see--I don't
exactly recall the amount of your investment--what was it you put in?"
"Two good legs, Adam Ward, two good legs," returned the old basket
maker.
Again Adam Ward was at a loss for an answer. In the shadowy presence of
that old man in the wheel chair the Mill owner was as a wayward child
embarrassed before a kindly master.
Public-domain text, read in full here on John Shaqi.
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