The old workman continued, "You all know the principles that my boy
Charlie stood for. You know that he was just as much against employers
like McIver as he was against men like this agitator who is leading you
into this trouble here to-night. Jake Vodell has made you believe that
my boy was killed by the employer class. But I tell you men that
Charlie had no better friend in the world than his employer, John Ward.
And I tell you that John and Charlie were working together here for the
best interests of us all--just as they were together in France. You
know what my boy would say if he was here to-night. He would say just
what I am saying. He would tell you that we workmen have got to stand
by the employers who stand by us. He would tell you that we American
union workmen must protect ourselves and our country against this
anarchy and lawlessness that has got you men here to-night so all
excited and beside yourselves that you don't know what you're doing. In
Captain Charlie's name I ask you men to break up this mob and go
quietly to your homes where you can think this thing over. We--"
From his position across the street Jake Vodell suddenly interrupted
the old workman with a rapid fire of questions and insinuations and
appeals to the mob.
Peter Martin, poorly equipped for a duel of words with such a master of
the art, was silenced.
Slowly the mob swung again to the agitator. Under the spell of his
influence they were responding once more to his call, when a big
automobile rolled swiftly up to the edge of the crowd and stopped.
John Ward was the first to recognize his sister's car. With a word to
the men near him he sprang to the ground and ran forward. The loyal
workmen went with him.
In the surprise of the moment, not knowing what was about to happen,
Jake Vodell stood silent. In breathless suspense every eye in the crowd
was fixed upon that little group about Helen's car.
Another moment and the assembled workmen witnessed a sight that they
will never forget. Down the lane that opened as if by magic through the
mass of men came the loyal members of the Mill workers' union. High on
their shoulders they carried the Interpreter.
In a silence, deep as the stillness of death, they bore him through
those close-packed walls of humanity, straight to the big doors of the
Mill. With their backs against the building they held him high--face to
face with Jake Vodell and the mob that the agitator was swaying to his
will.
The old basket maker's head was bare and against the dark background of
the dingy walls his venerable face with its crown of silvery hair was
as the face of a prophet.
They did not cheer. In silent awe they stood with tense, upturned
faces.
A voice, low but clear and distinct, cut the stillness.
"Hats off!"
As one man, they uncovered their heads.
The Interpreter's deep voice--kindly but charged with strange
authority--swept over them.
Public-domain text, read in full here on John Shaqi.
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