"He went, of course," she answered. "But he said that he would show me what the friendship of a man of John Ward's class meant to a working man; that the union men would find out who the loyal members were and when the time came they would know whom to reward and whom to treat as traitors to the Cause." For a little while after this the three sat in silence. At last Peter Martin rose heavily to his feet. "Come, Charlie, it is time we were on our way to the meeting; we mustn't be late, you know." When her father and brother were gone to the meeting of the Mill workers' union, Mary Martin locked the door of the cottage and walked swiftly away. It was not far to the Interpreter's hut, and presently the young woman was climbing the old zigzag stairway to the little house on the edge of the cliff above. There was no light but the light of the stars--the faint breath of the night breeze scarcely stirred the leaves of the bushes or moved the tall weeds that grew on the hillside. At the top of the stairs Mary paused to look at the many lights of the Flats, the Mill, the business houses, the streets and the homes, that shone in the shadowy world below. She was about to move toward the door of the hut when the sound of voices coming from the balcony-porch halted her. The Interpreter was speaking. She could not distinguish his words, but the deep tones of the old basket maker's voice were not to be mistaken. Then the young woman heard some one reply, and the laughing voice that answered the Interpreter was as familiar to Mary Martin as the laugh of her own brother. The evening visitor to the little hut on the cliff was the son of Adam Ward. Very softly Mary Martin stole back down the zigzag steps to the road below. Slowly she went back through the deep shadows of the night to her little home, with its garden of old-fashioned flowers, next door to the deserted house where John Ward was born. Late that night, while John was still at the Interpreter's hut, Adam Ward crept alone like some hunted thing about the beautiful grounds of his great estate. Like a haunted soul of wretchedness, the Mill owner had left his bed to escape the horror of his dreams and to find, if possible, a little rest from his torturing fears in the calm solitude of the night. * * * * * When Pete Martin, with Captain Charlie and their many industrial comrades, had returned to their homes after the meeting of their union, five men gathered in that dirty, poorly lighted room in the rear of Dago Bill's pool hall. The five men had entered the place one at a time. They spoke together in low, guarded tones of John Ward and his management of the Mill, of Pete Martin and Captain Charlie, of the Interpreter and McIver. And three of those five men had come to that secret place at Jake Vodell's call, directly from the meeting of the Mill workers' union. CHAPTER XI COMRADES