But McIver's car was no more than past the entrance when Helen appeared
again on the porch. For a moment she stood, as if debating some
question in her mind. Then apparently, she reached a decision. Ten
minutes later she was walking hurriedly down the hill road--the way
Bobby and Maggie had fled that day when Adam Ward drove them from the
iron fence that guarded his estate. It was scarcely a mile by this road
to the old house and the Martin cottage.
CHAPTER XIV
THE WAY BACK
That walk from her home to the little white cottage next door to the
old house was the most eventful journey that Helen Ward ever made. She
felt this in a way at the time, but she could not know to what end her
sudden impulse to visit again the place of her girlhood would
eventually lead.
As she made her way down the hill toward that tree-arched street, she
realized a little how far the years had carried her from the old house.
She had many vivid and delightful memories of that world of her
childhood, it is true, but the world to which her father's material
success had removed her in the years of her ripening womanhood had come
to claim her so wholly that she had never once gone back. She had
looked back at first with troubled longing. But Adam Ward's determined
efforts to make the separation of the two families final and complete,
together with the ever-increasing bitterness of his strange hatred for
his old workman friend, had effectually prevented her from any attempt
at a continuation of the old relationship. In time, even the thought of
taking so much as a single step toward the intimacies from which she
had come so far, had ceased to occur to her. And now, suddenly, without
plan or premeditation, she was on her way actually to touch again, if
only for a few moments, the lives that had been so large a part of the
simple, joyous life which she had known once, but which was so foreign
to her now.
Nor was it at all clear to her why she was going or what she would do.
As she had observed with increasing interest the change in her
brother's attitude toward the pleasures that had claimed him so wholly
before the war, she had wondered often at his happy contentment in
contrast to her own restless and dissatisfied spirit. McIver's words
had suddenly forced one fact upon her with startling clearness: John,
through his work in the Mill, his association with Captain Charlie and
his visits to the Martin home, was actually living again in the
atmosphere of that world which she felt they had left so far behind. It
was as though her brother had already gone back.
And McIver's challenging question, "What do you know about Mary
Martin?" had raised in her mind a doubt, not of her brother and his
relationship to these old friends of their childhood, but of herself
and all the relationships that made her present life such a contrast to
her life in the old house.
Public-domain text, read in full here on John Shaqi.
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