"Ha! Mr. Ollerenshaw!" cried the divine. "Your niece told me only
yesterday that you were still in Derby buying property, and would not be
back."
"I've bought it, parson," said James.
"Ha! ha!" said the divine, rubbing his hands. He stooped habitually,
which gave him the air of always trying to glimpse at his toes over the
promontory of his waist. And as James made no reply to the remark, he
repeated: "Ha! ha! So you decided to come to my concert, eh?"
"I only heard of it yesterday," said James.
"Well," said the divine, "I'm afraid they'll be waiting for me. Ha! ha!
This way, isn't it? Fine place you've got here. Very fine! Noble!"
And he disappeared through the double doors that led to the
drawing-room, which doors were parted for him by a manikin whose clothes
seemed to be held together by new sixpences. During the brief instant of
opening, a vivacious murmur of conversation escaped like gas from the
drawing-room into the hall.
James glanced about for his bag--it was gone. The gentleman in evening
dress was out on the steps. Disheartened by the mysterious annihilation
of his old friend the bag, James, weary with too much and too various
emotion, went slowly up the grand staircase. In his bedroom the first
thing he saw was his bag, which had been opened and its contents
suitably bestowed. Thus his hair-brushes were on the dressing-table.
This miracle completed his undoing. He sat down on an easy-chair, drew
the eider-down off the bed, and put it on his knees, for the
temperature was low. He did not intend to go to sleep. But he did go to
sleep. It was simply a case of nature recovering from emotions.
He slept about an hour, and then, having brushed his wispish hair, he
descended the stairs, determined to do or die. Perhaps he would not have
plumped himself straight into the drawing-room had not the manikin clad
in sixpences assumed that the drawing-room was his Mecca and thrown open
the doors.
A loud "Hush!" greeted him. The splendid chamber was full of women's
hats and men's heads; but hats predominated. And the majority of the
audience were seated on gilt chairs which James had never before seen.
Probably there were four or five score gilt chairs. At the other end of
the room the aged rector sat in an easy-chair. Helen herself was perched
at the piano, and in front of the piano stood Emanuel Prockter. Except
that the room was much larger, and that, instead of a faultless evening
dress, Emanuel wore a faultless frock-coat (with the rest of a suit),
the scene reminded James of a similar one on the great concertina night
at Mrs. Prockter's.
Many things had happened since then. Still, history repeats itself.
"O Love!" exclaimed Emanuel Prockter, adagio and sostenuto, thus
diverting from James a hundred glances which James certainly was
delighted to lose.
And Helen made the piano say "O Love!" in its fashion.
Public-domain text, read in full here on John Shaqi.
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