Authors -- Fiction; Authorship -- Fiction; Married people -- Fiction
He did not understand. He saw her hesitate and he threw all his weight
to drive her the way he desired. "After all," he said, using that most
persuasive of openings to a temptation or a fallacy, "what right have
you, artistically, to keep to yourself a thing that may please and help
millions? You especially, who don't even approve of private Art
Galleries because you can't see them! ... I know what it is, exactly;
you're thinking of your husband, naturally; but he need never know.
I'll do the business, all of it, and show you any notices and no one
else will ever guess at all. Think what fun it would be!" (He saw her
eyes light up and knew that he had won.) "Besides there'll be the
money too and any one can do with that."
"Yes," said Helena, clinging to an earlier sentence, as women will,
"but the manuscript gives it away hopelessly that I'm an author's wife,
on almost every page."
"Well, how many authors do you think there are?" he said; then with the
Tempter's fluency, "and they notoriously marry more than any one. Who
in the world could guess? Every one would think that it was by a man.
They always do if anybody writes a very intimate peep at a woman's
soul." He smiled, remembering how intimate the peep in question
sometimes was. "Fancy reading all their silly guesses! Come on! You
can't be so selfish!"
Her eyes glistened and she moved on to an earlier point. "It wouldn't
really bring much money, would it?" she asked. "Books don't seem to,
ever."
"Blatchley--that's the publisher--thinks it would sell like anything:
he says it's new. That's why he wants it. There isn't any sentiment
in Blatchley. He's right, too: people love these human documents. I
dare say it'd bring in several hundred pounds."
Helena gasped. He had offered her the proper fruit at last, this
worried little child of Eve, who, feigning to cut down the household
bills, had long time satisfied a husband intolerant of change by
drawing on her bank account, now perilously near its end.
"What should I call myself?" she answered simply. Several hundred
pounds--and all the fun as well!
He thought a moment. "Not Helena," he said with firmness. "They'd
guess. Besides no authoress could ever be called Helena: it sounds
like Eleanor after a careless housemaid's accident."
"Joan is my second name," she answered humbly.
"Joan," he repeated, and she felt quite ashamed already: he made it
sound so long and flat. "No, no; not Joan. That is like Jones with
the last letter dropped. It must be something literary. I know." He
hesitated, as though weighing the discovered nugget: then, satisfied;
"We'll call you Zoë Baskerville."
"Splendid!" she laughed. Already this was a new interest in life.
Then a doubt struck her. "_Are_ those literary names? Who were they
both?"
"I'm blest if I know," he confessed; "but I've seen both in
catalogues." So that was settled.
Public-domain text, read in full here on John Shaqi.
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