Helon's Pilgrimage to Jerusalem, Volume 2 (of 2): A picture of Judaism, in the century which preceded the advent of our Savior.Strauss, Friedrich
History
Helon's Pilgrimage to Jerusalem, Volume 2 (of 2): A picture of Judaism, in the century which preceded the advent of our Savior.
Strauss, Friedrich
Jews -- History -- To 70 A.D. -- Fiction
gallery had a parapet breast-high towards the court.
Round this court the principal parts of the house were disposed. The
side which adjoined the street contained a small court, separated from
the inner only by a wall and a door, contrary to the common mode of
building, according to which this court lay beyond the outer wall and in
front of the house, being connected with it by a covered way: some
houses again had both the small internal court, which we have described
in Selumiel’s house, and the larger exterior court, the latter then
serving to receive horses and camels. In Selumiel’s house the court was
furnished with a sofa, visitors were received here, and only those whom
the master of the house specially invited into the interior went any
further. The house-door, which was in the wall of the house and was
covered with inscriptions, led to the outer court. In this court was a
staircase, which led to the upper stories of the house and immediately
to a little building directly over the small interior court, called
Alijah, which rose like a tower upon the flat roof. An awning was
fastened to the parapet of the roof in such a manner, that it could be
drawn over the whole of the innermost court, and produce complete shade
in the brightest sunshine.
The side of the court which was furthest from the street formed the
communication with the Armon, or house of the women. The apartments of
the females were universally in the east separate from those of the men,
and in Selumiel’s mansion they formed a distinct house, divided and
arranged much in the same way as we have already described, so that
there were in fact two houses, having one side in common.
Public-domain text, read in full here on John Shaqi.
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