City and town life -- Fiction; Newspapers -- Fiction
And then your letter came. Why have you gone away from
Hempfield? I could not make it any plainer last night,
Nort. I did not understand it fully myself, until afterward.
Don't you see? I have nothing to give that is not yours for
the asking. Come back, for I love you, Nort.
ANTHY.
This letter, which I did not know about until long afterward, was never
sent, for Anthy had no way of addressing it.
That evening, rereading Nort's letter, she said aloud:
"What does he mean by saying Fergus is right? What has Fergus to do with
it? Where _is_ Fergus?"
[Illustration]
CHAPTER XXV
THE FLYING-MACHINE
If it had not been for a surprising and amusing event which somewhat
relieved the depression in the office of the _Star_ of Hempfield, the
following weeks would certainly have been among the most dismal of my
life.
All the elasticity and interest and illusion seemed to have departed
from us when Nort disappeared. Every one, except the old Captain, who
was like a raging lion, was constrained and mysterious. It would have
been amusing if it had not been so serious. Each of us was nursing a
mystery, each was speculating, suspicious.
The only one of us who seemed to get any satisfaction out of the
situation was Ed Smith. I think he was unaffectedly glad that Nort was
gone. It left the field clear for him, and on the Saturday night after
Nort left, Ed put on his hat just as Anthy was leaving the office and
quite casually walked home with her. He ran on exactly as he had always
done--chat about the business, and town gossip, which always gravitated
toward the personal and intimate, and, finally, if there was half an
opportunity, descended to the little soft jokes and purrings of
sentimentality. He followed Anthy up the steps of her home, and stood,
hat in hand, still talking, and half expecting to be invited in to
supper. He did observe that she was silent--but then she was never very
talkative. He saw nothing in her face, nothing in her eye, that he had
not seen before.
Public-domain text, read in full here on John Shaqi.
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