Henrietta Maria, Queen, consort of Charles I, King of England, 1609-1669
"Amazonian habit of carnation, embroidered with silver, with a plumed Helme
and a Bandricke with an antique Sword hanging by her side, all as rich as
might be." Her attendant ladies were similarly dressed, and it is perhaps
not surprising that the strangeness of these habits was even more admired
than their beauty.
The theme was designed, in reference to recent public events, to flatter
the King, who played the part of Philogenes triumphing over Discord, which,
"a malicious Fury, appears in a storme, and by the Invocation of malignant
spirits proper to her evill use, having already put most of the world into
discord, endeavours to disturb these parts, envying the blessings and
Tranquillity we have long enjoyed."
"How am I griev'd,"
she cries out,
"The world should everywhere
Be vext into a storme save only here,
Thou over-lucky, too much happy Ile!
Grow more desirous of this flatt'ring style
In thy long health can never alter'd be
But by thy surfets on Felicitie."[221]
After these words, which surely might have been spoken by the lying spirit
in the mouth of the prophets of Ahab, the Queen came forward to be greeted
by an outburst of triumphant loyalty:--
"But what is she that rules the night
That kindles Ladies with her light
And gives to Men the power of sight?
All those that can her Virtue doubt
Her mind will in her face advise,
For through the Casements of her Eyes
Her Soule is ever looking out.
"And with its beames, she doth survay
Our growth in Virtue or decay,
Still lighting us in Honours way!
All that are good she did inspire!
Lovers are chaste, because they know
It is her will they should be so,
The valiant take from her their Fire!"
The masque "was generally approved of, specially by all strangers that were
present, to be the noblest and most ingenious that hath been done heere in
that kind." When, in future days, some of the company looked back upon that
evening, its festivities must have seemed to them as one of the jests of
him whom Heine called the Aristophanes of Heaven.
But these revels were only an interlude; Charles was not a man to fiddle
while Rome was burning, and he turned to grapple as best he could with the
problem before him. The country was rushing on to meet its fate: the topic
of the hour was that of the Parliament, to the holding of which the King
was finally persuaded by a new counsellor; Strafford[222] had crossed St.
George's Channel and had entered on the last and most remarkable stage of
his career.
Public-domain text, read in full here on John Shaqi.
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