Henry Dunbar: A NovelBraddon, M. E. (Mary Elizabeth)
General
Henry Dunbar: A Novel
Braddon, M. E. (Mary Elizabeth)
Fiction
Maudesley Abbey was a large and rambling old mansion, which had been
built in half-a-dozen different reigns. The most ancient part of the
building was that very northern wing which Mr. Dunbar had chosen for
himself. Here the architecture belonged to the early Plantagenet era;
the stone walls were thick and massive, the lancet-headed windows were
long and narrow, and the arms of the early benefactors of the monastery
were emblazoned here and there upon the richly stained glass. The walls
were covered with faded tapestry, from which grim faces scowled upon
the lonely inhabitant of the chambers. The groined ceiling was of oak,
that had grown black with age. The windows of Mr. Dunbar's bedroom and
dressing-room opened into a cloistered court, beneath whose solemn
shadow the hooded monks had slowly paced, in days that were long gone.
The centre of this quadrangular court had been made into a garden,
where tall hollyhocks and prim dahlias flaunted in the autumn sunshine.
And within this cloistered courtway Mr. Dunbar had erected the loose
box for his favourite horse.
The southern wing of Maudesley Abbey owed its origin to a much later
period. The windows and fireplaces at this end of the house were in the
Tudor style; the polished oak wainscoting was very beautiful; the rooms
were smaller and snugger than the tapestried chambers occupied by the
banker; Venetian glasses and old crystal chandeliers glimmered and
glittered against the sombre woodwork: and elegant modern furniture
contrasted pleasantly with the Elizabethan casements and carved oaken
chimney-pieces. Everything that unlimited wealth can do to make a house
beautiful had been done for this part of the mansion by Percival
Dunbar; and had been done with considerable success. The doting
grandfather had taken a delight in beautifying the apartments occupied
by his girlish companion: and Miss Dunbar had walked upon velvet pile,
and slept beneath the shadow of satin curtains, from a very early
period of her existence.
She was used to luxury and elegance: she was accustomed to be
surrounded by all that is refined and beautiful: but she had that
inexhaustible power of enjoyment which is perhaps one of the brightest
gifts of a fresh young nature: and she did not grow tired of the
pleasant home that had been made for her. Laura Dunbar was a pampered
child of fortune: but there are some natures that it seems very
difficult to spoil: and I think hers must have been one of these.
Public-domain text, read in full here on John Shaqi.
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