Henry Dunbar: A NovelBraddon, M. E. (Mary Elizabeth)
General
Henry Dunbar: A Novel
Braddon, M. E. (Mary Elizabeth)
Fiction
Sir Philip Jocelyn thought that he should marry "some of these days,"
and in the meantime troubled himself very little about the pretty
daughters of country gentlemen whom he met now and again at races, and
archery-meetings, and flower-shows, and dinner-parties, and
hunting-balls, in the queer old town-hall at Shorncliffe. He was
heart-whole; and looking out at life from the oriel window of his
dressing-room, whence he saw nothing but his own land, neatly enclosed
in a ring-fence, he thought the world, about which some people made
such dismal howling, was, upon the whole, an extremely pleasant place,
containing very little that "a fellow" need complain of. He built
himself a painting-room at Jocelyn's Rock; and whistled to himself for
the hour together, as he stood before the easel, painting scenes in the
hunting-field, or Arab horsemen whom he had met on the great flat sandy
plains beyond Cairo, or brown-faced boys, or bright Italian
peasant-girls; all sorts of pleasant objects, under cloudless skies of
ultra-marine, with streaks of orange and vermilion to represent the
sunset. He was not a great painter, nor indeed was there any element of
greatness in his nature; but he painted as recklessly as he rode; his
subjects were bright and cheerful; and his pictures were altogether of
the order which unsophisticated people admire and call "pretty."
He was a very cheerful young man, and perhaps that cheerfulness was the
greatest charm he possessed. He was a man in whom no force of fashion
or companionship would ever engender the peevish _blasé_-ness so much
affected by modern youth. Did he dance? Of course he did, and he adored
dancing. Did he sing? Well, he did his best, and had a fine volume of
rich bass voice, that sounded remarkably well on the water, after a
dinner at the Star and Garter, in that dim dewy hour, when the willow-shadowed
Thames is as a southern lake, and the slow dip of the oars is
in itself a kind of melody. Had he been much abroad? Yes, and he
gloried in the Continent; the dear old inconvenient inns, and the
extortionate landlords, and the insatiable commissionaires—he revelled
in the commissionaires; and the dear drowsy slow trains, with an absurd
guard, who talks an unintelligible _patois_, and the other man, who
always loses one's luggage! Delicious! And the dear little
peasant-girls with white caps, who are so divinely pretty when you see
them in the distance under a sunny meridian sky, and are so charming in
coloured chalk upon tinted paper, but such miracles of ugliness,
comparatively speaking, when you behold them at close quarters. And the
dear jingling diligences, with very little harness to speak of, but any
quantity of old rope; and the bad wines, and the dust, and the
cathedrals, and the beggars, and the trente-et-quarante tables, and in
short everything. Sir Philip Jocelyn spoke of the universe as a young
husband talks of his wife; and was never tired of her beauty or
impatient of her faults.
Public-domain text, read in full here on John Shaqi.
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