Henry Dunbar: A NovelBraddon, M. E. (Mary Elizabeth)
General
Henry Dunbar: A Novel
Braddon, M. E. (Mary Elizabeth)
Fiction
Philip Jocelyn generally went to Lisford upon horseback; but when, as
so often happened, he met Miss Dunbar and her companion strolling
amongst the old elms, it was his habit to get off his horse, and to
walk by Laura's side, leading the animal by the bridle. Sometimes he
found the two young ladies sitting on camp-stools at the foot of one of
the trees, sketching effects of light and shadow in the deep glades
around them. On such occasions the baronet used to tie his horse to the
lower branch of an old elm, and taking his stand behind Miss Dunbar,
would amuse himself by giving her a lesson in perspective, with
occasional hints to Miss Macmahon, who, as the young man remarked, drew
so much better than her sister, that she really required very little
assistance.
By-and-by this began to be an acknowledged thing. Special hours were
appointed for these artistic studies: and Philip Jocelyn ceased to go
to Lisford at all, contenting himself with passing almost every fine
morning under the elms at Maudesley. He found that he had a very
intelligent pupil in the banker's daughter: but I think, if Miss Dunbar
had been less intelligent, her instructor would have had patience with
her, and would have still found his best delight beneath the shadow of
those dear old elms.
What words can paint the equal pleasure of giving and receiving those
lessons, in the art which was loved alike by pupil and master; but
which was so small an element in the happiness of those woodland
meetings? What words can describe Laura's pleading face when she found
that the shadow of a ruined castle wouldn't agree with the castle
itself, or that a row of poplars in the distance insisted on taking
that direction which our transatlantic brothers call "slantindicular?"
And then the cutting of pencils, and crumbling of bread, and searching
for mislaid scraps of India-rubber, and mixing of water-colours, and
adjusting of palettes on the prettiest thumb in Christendom, or the
planting a sheaf of brushes in the dearest little hand that ever
trembled when it met the tenderly timid touch of an amateur
drawing-master's fingers;—all these little offices, so commonplace and
wearisome when a hard-worked and poorly-paid professor performs them
for thirty or forty clamorous girls, on a burning summer afternoon, in
a great dust-flavoured schoolroom with bare curtainless windows, were
in this case more delicious than any words of mine can tell.
But September and October are autumnal months; and their brightest
sunshine is, after all, only a deceptive radiance when compared to the
full glory of July. The weather grew too cold for the drawing-lessons
under the elms, and there could be no more appointments made between
Miss Dunbar and her enthusiastic instructor.
Public-domain text, read in full here on John Shaqi.
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