Henry Dunbar: A NovelBraddon, M. E. (Mary Elizabeth)
General
Henry Dunbar: A Novel
Braddon, M. E. (Mary Elizabeth)
Fiction
"But, madame," he said, "this Monsieur Kerstall's father is very old,
and he has ceased to paint it is a long time. They have said that he is
even a little imbecile, that he does not remember himself of the most
common events of his life. But there are some others who say that his
memory has not altogether failed, and that he is still enough harshly
critical towards the works of others."
The Frenchman might have run on much longer upon this subject, but
Laura was too impatient to be polite. She interrupted him by asking for
Mr. Kerstall's address.
The artist took out one of his own cards, and wrote the required
address in pencil.
"It is in the neighbourhood of Notre Dame, madame, in the Rue Cailoux,
over the office of a Parisian journal," he said, as he handed the card
to Laura. "I don't think you will have any difficulty in finding the
house."
Laura thanked the French artist and then took her husband's arm and
walked away with him.
"I don't care about looking at any more pictures to-day, Philip," she
said; "but, oh, I do wish you would take me to this Mr. Kerstall's
studio at once! You will be doing me such a favour, Philip, if you'll
say yes."
"When did I ever say no to anything you asked me, Laura? We'll go to
Mr. Kerstall immediately, if you like. But why are you so anxious to
see this old portrait of your father, my dear?"
"Because I want to see what he was before he went to India. I want to
see what he was when he was bright and young before the world had
hardened him. Ah, Philip, since we have known and loved each other, it
seems to me as if I had no thought or care for any one in all this wide
world except yourself. But before that time I was very unhappy about my
father. I had expected that he would be so fond of me. I had so built
upon his return to England, thinking that we should be nearer and
dearer to each other than any father and daughter ever were before. I
had thought all this, Philip; night after night I had dreamt the same
dream,—the bright happy dream in which my father came home to me, the
fond foolish dream in which I felt his strong arms folded round me, and
his true heart beating against my own. But when he did come at last, it
seemed to me as if this father was a man of stone; his white fixed face
repelled me; his cold hard voice turned my blood to ice. I was
frightened of him, Philip; I was frightened of my own father; and
little by little we grew to shun each other, till at last we met like
strangers, or something worse than strangers; for I have seen my father
look at me with an expression of absolute horror in his stern cruel
eyes. Can you wonder, then, that I want to see what he was in his
youth? I shall learn to love him, perhaps, if I can see the smiling
image of his lost youth."
Laura said all this in a very low voice as she walked with her husband
through the garden of the Luxembourg. She walked very fast; for she was
as eager as a child who is intent upon some scheme of pleasure.
Public-domain text, read in full here on John Shaqi.
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