Henry Dunbar: A NovelBraddon, M. E. (Mary Elizabeth)
General
Henry Dunbar: A Novel
Braddon, M. E. (Mary Elizabeth)
Fiction
There were portraits of elderly ladies with stately head-gear, and
simpering young ladies with innocent short-waisted bodices and flowers
held gracefully, in their white-muslin draperies; there were portraits
of stern clerical grandees, and parliamentary non-celebrities, with
popular bills rolled up in their hands, ready to be laid upon the
speaker's table, and with a tight look about the lips, that seemed to
say the member was prepared to carry his motion, or perish on the floor
of the House.
There were only a few portraits of young men of military aspect,
looking fiercely over regulation stocks, and with forked lightning and
little pyramids of cannon-balls in the background.
Laura sighed heavily at last, for amongst all these portraits there was
not one which in the least possible degree recalled the hard handsome
face with which she was familiar.
"I'm afraid my father's picture has been lost or destroyed," she said,
mournfully.
But Mr. Kerstall would not allow this.
I have said that it was Laura's peculiar privilege to bewitch everybody
with whom she came in contact, and to transform them, for the nonce,
into her willing slaves, eager to go through fire and water in the
service of this beautiful creature, whose eyes and hair were like blue
skies and golden sunshine, and carried light and summer wherever they
went.
The black-bearded artist in the paint-smeared holland blouse was in no
manner proof against Lady Jocelyn's fascinations.
He had well-nigh suffocated himself with dust half-a-dozen times
already in her service, and was ready to inhale as much more dust if
she desired him so to do.
"We won't give it up just yet, Lady Jocelyn," he said, cheerfully;
"there's a couple of shelves still to examine. Suppose we try shelf
number one, and see if we can find Mr. Henry Dunbar up there."
Mr. Kerstall junior mounted upon a chair, and brought down another heap
of canvases, dirtier than any previous collection. He brought these to
a table by the side of his father's easel, and one by one he wiped them
clean with a large ragged silk handkerchief, and then placed them on
the easel.
The easel stood in the full light of the broad window. The day was
bright and clear, and there was no lack of light, therefore, upon the
portraits.
Mr. Kerstall senior began to be quite interested in his son's
proceedings, and contemplated the younger man's operations with a
perpetual chuckling and nodding of the head, that were expressive of
unmitigated satisfaction.
"Yes, they're gentlemanly," the old man mumbled; "nobody can deny that
they're gentlemanly. They may make a cabal against me in Trafalgar
Square, and decline to hang 'em: but they can't say my pictures are
ungentlemanly. No, no. Take a basin of water and a sponge, Fred, and
wash the dust off. It pleases me to see 'em again—yes, by gad, sir, it
pleases me to see 'em again!"
Public-domain text, read in full here on John Shaqi.
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