Henry Dunbar: A NovelBraddon, M. E. (Mary Elizabeth)
General
Henry Dunbar: A Novel
Braddon, M. E. (Mary Elizabeth)
Fiction
He had meant to do this, and had calculated that his conduct would be,
at the worst, considered eccentric; or perhaps it would be thought
scarcely unnatural in a lonely man, whose only child had married into a
higher sphere than his own. He had meant to do this, and by-and-by,
when he had been lost sight of by the world, to hide himself under a
new name and a new nationality, so that if ever, by some strange
fatality, by some awful interposition of Providence, the secret of
Henry Dunbar's death should come to light, the murderer would be as
entirely removed from human knowledge as if the grave had closed over
him and hidden him for ever.
This is the course that Joseph Wilmot had planned for himself. There
had been plenty of time for him to think and plot in the long nights
that he had spent in those splendid rooms—those noble chambers, whose
grandeur had been more hideous to him than the blank walls of a
condemned cell; whose atmosphere had seemed more suffocating than the
foetid vapours of a fever-tainted den in St. Giles's. The passionate,
revengeful yearning of a man who has been cruelly injured and betrayed,
the common greed of wealth engendered out of poverty's slow torture,
had arisen rampant in this man's breast at the sight of Henry Dunbar.
By one hideous deed both passions were gratified; and Joseph Wilmot,
the bank-messenger, the confidential valet, the forger, the convict,
the ticket-of-leave man, the penniless reprobate, became master of a
million of money.
Yes, he had done this. He had entered Winchester upon that August
afternoon, with a few sovereigns and a handful of silver in his pocket,
and with a life of poverty and degradation, before him. He had left the
same town chief partner in the firm of Dunbar, Dunbar, and Balderby,
and sole owner of Maudesley Abbey, the Yorkshire estates, and the house
in Portland Place.
Surely this was the very triumph of crime, a master-stroke of villany.
But had the villain ever known one moment's happiness since the
commission of that deed—one moment's peace—one moment's freedom from a
slow, torturing anguish that was like the gnawing of a ravenous beast
for ever preying on his entrails? The author of the _Opium-Eater_
suffered so cruelly from some internal agony that he grew at last to
fancy there was indeed some living creature inside him, for ever
torturing and tormenting him. This doubtless was only the fancy of an
invalid: but what of that undying serpent called Remorse, which coils
itself about the heart of the murderer and holds it for ever in a
deadly grip—never to beat freely again, never to know a painless throb,
or feel a sweet emotion?
Public-domain text, read in full here on John Shaqi.
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