Henry Fielding: a Memoir: Including Newly Discovered Letters and Records with Illustrations from Contemporary PrintsGodden, G. M. (Gertrude M.)
General
Henry Fielding: a Memoir: Including Newly Discovered Letters and Records with Illustrations from Contemporary Prints
Godden, G. M. (Gertrude M.)
Authors, English -- 18th century -- Biography; Fielding, Henry, 1707-1754; Fielding, Henry, 1707-1754 -- Correspondence
Thus in _Joseph Andrews_ for the first time we come really close to the
splendid and healthy energy, the detachment, the relentless scorn, the
warmth of feeling, that characterised Henry Fielding under all
circumstances and at all times of his life. This book, as we have seen,
was written under every outward disadvantage, and yet its pages ring with
vigour and laughter. Here is the same militant energy that had nerved
Fielding to fight the domination of a corrupt (and generally corrupting)
Minister for eight lean years; and which in later life flung itself into a
chivalrous conflict with current social crime and misery. Here is a
detachment hardly less than that which fills the pages of the last
_Journal of a Voyage to Lisbon_ with a courage, a gaiety, a serenity that
no suffering and hardship, and not even the near approach of death itself,
could disturb. Here, again, Fielding consciously avows a moral purpose in
his art; the merciless scorn of his insight in depicting a vicious man or
woman is actuated, he expressly declares, by a motive other than that of
'art for art's sake.' And as this motive is scarce perceptible in the
lifelike reality of the figures whom we see breathing in actual flesh and
blood in his pages, and yet is of the first importance for understanding
the character of their creator, the great novelist's confession of this
portion of his literary faith may be quoted in full. The passage occurs in
the preface to Book iii. of _Joseph Andrews_. Fielding is afraid, he
explains, that his figures may be taken for particular portraits, whereas
it is the type and not the individual that concerns him. "I declare here,"
he solemnly affirms, "once for all, I describe not Men, but Manners; not
an Individual, but a Species." And he proceeds to make example of the
lawyer in the stage coach as not indeed confined "to one Profession, one
Religion, or one Country; but when the first mean selfish Creature
appeared on the human Stage, who made Self the Centre of the whole
Creation; would give himself no Pain, incur no Damage, advance no Money to
assist, or preserve his Fellow-Creatures; then was our Lawyer born; and
while such a Person as I have described, exists on Earth, so long shall he
remain upon it." Not therefore "to mimick some little obscure Fellow" does
this lawyer appear on Fielding's pages, but "for much more general and
noble Purposes; not to expose one pitiful Wretch, to the small and
contemptible Circle of his Acquaintance; but to hold the Glass to
thousands in their Closets that they may contemplate their Deformity, and
endeavour to reduce it."
Public-domain text, read in full here on John Shaqi.
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