Henry Is Twenty: A Further Episodic History of Henry Calverly, 3rdMerwin, Samuel
General
Henry Is Twenty: A Further Episodic History of Henry Calverly, 3rd
Merwin, Samuel
Young men -- Fiction
When Cicely was talking, with her nervous eagerness, her quick smile,
her almost Frenchy gestures, she seemed gay. When in repose, as now, her
delicate sensitiveness, her slightly sad expression, were evident, even
to Henry.
Made him feel in the closing scene of _The Prisoner of Zenda_, where
he was bidding the Princess who could never be his a last farewell; the
mere sight of her thrilled him with a deep romantic sorrow.
Through the prayers, the announcements, the choir numbers and
collection, his sacrificial mood grew more and more intense. It was
something of a question whether he could hide his emotion before all
these hostile people. The long fight ahead to rebuild his name in the
village loomed larger and larger, began to take on an aspect that was
almost terrifying. For the first time to-day he felt weakness but she
made him feel something as Sothem had made in his heart. He sat very
quiet, hands clenched on his knees, and unconsciously thrust out his
chin a little.
When the doxology was sung and his head was bowed for the benediction,
he had to struggle with a mad impulse to rush out, run down the aisle
while people were picking up their hats and things. The thing to do, of
course, was to take his time, be natural, move out with the rest. This
he did, blazing with self-consciousness, his chin forward.
It was difficult. Several persons--older persons, who had known his
mother--stopped him and congratulated him on the brilliant work he was
doing. This in the midst of the unuttered hostility that seemed like
hundreds of little barbed darts penetrating his skin from every side.
He could only blush and mumble. Elderly, innocent Mrs Bedford of Filbert
Avenue actually introduced him to her nieces from Boston as a young man
of whom all Sunbury was proud. He had to blush and mumble here for a
long time, while the line of people crowded decorously past.
At last he got to the door. Stiffly raising his hat as one or two groups
of young people recognised him, he moved out to the sidewalk. There he
raised his eyes. They met, for a fleeting instant, but squarely, over
Herb de Casselles' shoulder, the dark eyes of Cicely Hamlin.
She was sitting on the little forward seat in the black-and-plum
Victoria. Madame Watt was settling herself in the back seat. The
Senator was stepping in. The plum-coloured footman stood stiffly by. The
plum-coloured driver sat stiffly on the box.
Herb de Casselles turned, with a wry smile.
Henry raised his hat, bit his lip, hesitated, hurried on.
Then he heard her voice.
'Oh, Mr Calverly!'
He had to turn back. He knew he was fiery red. He knew, too, that in
this state of tortured bewilderment he couldn't trust his tongue for a
moment.
Cicely leaned out, with outstretched hand.
He had to take it. The thrill the momentary touch of it gave, him but
added a wrench to the torture. Then the Senator's hand had to be taken;
finally Madame's.
His pulse was racing; pounding at his temples. What did all this mean!
Public-domain text, read in full here on John Shaqi.
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