Henry Is Twenty: A Further Episodic History of Henry Calverly, 3rdMerwin, Samuel
General
Henry Is Twenty: A Further Episodic History of Henry Calverly, 3rd
Merwin, Samuel
Young men -- Fiction
'I don't think he lighted the parlour. We three can go up just the same.
Now listen. Henry can leave his hat here with you, and get yours when he
comes away.'
'It has my initials in it,' said Humphrey.
Corinne walked on the grass to the corner; came swiftly back.
'Well,' she remarked dryly, 'he's been in there. The parlour's lighted.'
Mildred stirred. 'Please!' she murmured. 'Just give me a minute or two.
I'm going with you.'
'Suppose,' said Corinne, 'he _has_ seen the initials.'
Mildred's eyes sought Humphrey's. For a long instant, her head back
on his shoulder, she gazed at him with an intensity that Henry had not
before seen on a woman's face. It was as if she had forgotten himself
and Corinne. And then Humphrey's arm tightened about her, as if he, too,
had forgotten every one and everything else.
Henry had to turn away.
He walked to the corner. Neither Humphrey nor Mildred knew whether he
went or stayed. Corinne was frowning down at them; thinking desperately.
Henry stared at the house, at the dim solitary figure on the top step,
at the little red light of the cigar that came and went with the puffs.
Henry was breathing hard. His face was burning hot. He hated conflicts,
fights; hated them so deeply, felt so inadequate when himself
involved, that emotion usually overcame him. Therefore he fought rather
frequently, and, on occasions, rather effectively. Emotion will win a
fight as often as reason.
He considered getting Humphrey to one side, making him listen to reason.
He dwelt on the phrase. The mere thought of Mildred being driven back
into that house, into the hands of her legal husband, stirred that
tendency to sob. He set his teeth on it. They could take her back to
the rooms. He would move out. For that matter, if it would save her
reputation, they could both move out. At once. But would it save her
reputation?
He took off his hat; pressed a hand to his forehead; then fussed with
his little moustache. Then, as a new thought was born in his brain, born
of his emotions, he gave a little start. He looked back at the shadowy
group about the Ames's horse block. Apparently they hadn't moved. He
looked at his shoes, tennis shoes with rubber soles.
He laid hat and stick on the ground by a tree; went little way up the
street, past the circle of the corner light and slipped across; moved
swiftly, keeping on the grass, around to the alley, came in at the
Henderson's back gate, made his way to the side steps.
There was a door here that led into an entry. There were doors to
kitchen and dining-room on right and left, and the back stairs. Henry
knew the house. Kitchen and dining-room were both dark now, but the
lights were on in parlour and hall.
He got the screen door open without a sound and felt his way into and
through the dining-room. It seemed to him that there were a great many
chairs in that diningroom. His shins bumped them. They met his outspread
hands. Between this room and the parlour the sliding doors were shut.
Public-domain text, read in full here on John Shaqi.
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