Henry Is Twenty: A Further Episodic History of Henry Calverly, 3rdMerwin, Samuel
General
Henry Is Twenty: A Further Episodic History of Henry Calverly, 3rd
Merwin, Samuel
Young men -- Fiction
Henry, I am certain, thought of Mr Boice at this moment with about
as much sympathy as a native of a jungle village might feel for a
man-eating tiger. That look about Miss Dittenhoefer's mouth when she
smiled! It was a world, this of placid-appearing Sunbury and the big
city, just below the town line, in which men fought each other to the
death, in which young boys were hardened and coarsened and taught to
kill or be killed, in which women were tortured by hard masters until
their souls cried out.
Boice, I am sure, sensed nothing of this somewhat morbid hostility. No;
until Robert A. McGibbon turned up in Sunbury, Mr Boice had some reason
to feel settled and complacent in his years. His private funds were
secure in his wife's name. And he had every reason to believe that,
before many months more, it would be his privilege and pleasure to
run McGibbon out of town for good. If the matter of Miss Dittenhoefer
should, for a little while, stir up sentimental criticism, why--well,
it was business. Sound business. And you couldn't go back of sound
business.
Henry sighed, got slowly up, had his meal ticket punched at the desk by
Mrs Stanley, went back to the office.
2
The sunny, listless July day was at its lowest ebb--when men who had the
time dawdled and smoked late over their lunch, when ladies took naps.
Flies crawled languidly about the speckled walls of the _Voice_ office.
Outside the screen door and the plate-glass front window, the hot air,
rising from the cement sidewalk, quivered so that the yellow outlines
of the Sunbury House across the street wavered unstably, and the dusty
trees over there wavered, and the men sitting coatless, suspendered, in
the yellow rocking chairs on the long veranda, wavered. Through the
open press-room door came the sound of one small job-press rumbling at
a handbill job; the other presses were still. The compositors worked or
idled without talking.
Here in the office, Henry, tipped back in his kitchen chair before the
inkstained, cluttered pine table by the end wall, coat off, limp wet
handkerchief tucked carefully around his neck inside the collar, chewed
a pencil, gazing now at the little pile of blank copy paper before
him, now at a discouraged fly on the wall. Gradually the fly took on
a perverse interest among his wandering, unhappy thoughts. Prompted,
doubtless, by a sense of inner demoralisation that was now close to
recklessness, he reached for a pen, filled it with ink, and shot a
scattering volley at the slow-moving insect.
At the roll-top desk by the press-room door, Humphrey Weaver, also
coatless, cob pipe in mouth, long lean face wrinkled in the effort to
keep his usually docile mind on its task, elbow on desk and long fingers
spread through damp hair, was correcting proof.
Public-domain text, read in full here on John Shaqi.
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