Henry Is Twenty: A Further Episodic History of Henry Calverly, 3rdMerwin, Samuel
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Henry Is Twenty: A Further Episodic History of Henry Calverly, 3rd
Merwin, Samuel
Young men -- Fiction
He opened the paper. There was his story, occupying all of page three
that wasn't given up to advertisements. This was better than working.
Besides, he ought to go over it. He settled down to it.
3
The sound that caused Humphrey to start up in surprise was the first
outbreak of profanity he had ever heard from the lips of Henry Calverly.
Henry was sitting up stiffly, holding last week's _Voice_ with hands
that distinctly trembled. When Humphrey first looked, he was white, but
after a moment the colour began flowing back to his face and continued
flowing until his face was red. His lips were clamped tight, as if the
small verbal explosion that had just passed them had proved even more
startling to himself than to Humphrey. 'What is it?' asked the editor.
Henry stared at the outspread paper.
'This!' he got out. 'This--this!'
'What's the matter, Hen?'
'Don't you _know?_'
'Oh, your picnic story! Yes--but--what on earth is the matter with you?'
'You _know_, Hump! You never told me!'
'You mean the cuts?'
'Oh--yes!' This 'Oh' was a moan of anguish.
'Good heavens, Hen--you didn't for a minute think we could print it as
you wrote it?' Henry's facial muscles moved, but he got no words
out. Humphrey, touched, went on. 'I don't mind telling you--between
ourselves--that the thing as you wrote it, every word, is the best
bit of descriptive writing I've seen this year. But you wrote the
real story, boy. You painted the whole Simpson Street bunch as they
are--every wart. It's a savage picture. Why, we'd have dropped seventy
per cent, of our advertising between Saturday and Monday! And the queer
little picture of Charlie Waterhouse out behind the lemonade stand----
Why, boy, that's enough to bust open the town!
With Bob McGibbon gunning for Charlie and demanding an accounting of the
town money! Gee!'
Henry seemed hardly to hear this.
'Who--who re-wrote it?'
'I did some. The old man polished it off himself.'
'It's ruined!'
'Of course. But it brought you a raise to twelve a week. That's
something.'
'You don't understand. It was my work. And it was true. I wrote the
truth.'
'That's why.'
'Then they don't want the truth?'
'Good lord--no!'
Henry considered this, bent over as if to read further, twisted his
flushed face as if in pain, then abruptly sprang up.
'What's become of it--the piece I wrote?'
'Well, Hen--I didn't feel that we had a right to destroy the thing. Too
dam good! In a sense, it's the old man's property; in another sense,
it's yours----'
'It's mine!'
'In a sense. At any rate, I took it on myself to have a copy made
confidentially. Then I turned the original over to Mr Boice. He doesn't
know.'
'Where's the copy?'
'Here in my desk.'
'Give it to me!'
'Just hold your horses a minute, Hen----'
'You give it----'
Humphrey threw up a hand, then opened a drawer. He handed over the
typewritten manuscript.
'Who made this?'
'Gertie Wombast. I warned her to keep her mouth shut.'
'How much did it cost?'
Public-domain text, read in full here on John Shaqi.
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