Henry Is Twenty: A Further Episodic History of Henry Calverly, 3rdMerwin, Samuel
General
Henry Is Twenty: A Further Episodic History of Henry Calverly, 3rd
Merwin, Samuel
Young men -- Fiction
As to that, I can't say. Perhaps it did. Life is not so simple as Henry
had been taught it was. I am fatalist enough to believe that Henry would
have become what he was to become in any event, because it was in him. I
doubt if he could have been given any other direction. Though of course
he might have gone under simply through a failure to get aroused.
Something had to start him, of course.
The practical difficulty with Henry's life was, of course, that he was
strong. He didn't know this himself. He thought he was weak. Some who
observed him thought the same. There were reasons enough. But Mildred
always declared flatly that he was a genius, that he was too good for
Sunbury, against the smugness of which community she was inclined to
rail. A debate on this point between Mrs Henderson and, say, William F.
Donovan, the drug store man, would have been interesting. Mr Donovan's
judgments of human character were those of Simpson Street.
I say Henry was strong, because I can't interpret his rugged
nonconformity in any other way. A weaker lad would long since have given
up, gone into Smith Brothers' wholesale, taken his spiritual beating
and fallen into step with his generation. But Henry's resistance was
so strong and so deep that he didn't even know he was resisting. He was
doing the only thing he could do, being what he was, feeling what he
felt. And when instinct failed to guide, when 'the Power' lay quiescent,
he was simply waiting and blundering along; but never falling into step.
He had to wait until the Power should rise with him and take him out and
up where he belonged.
There was a little scene the Monday evening before.
It was in the rooms. Mildred was there.
Henry stumbled in on the two of them, Mildred and Humphrey. They were
at the piano, seated side by side. They had been studying _Tristan and
Isolde_ together for a week or so; Mildred playing out the motifs. She
often played the love duet from the second act for him, too. Henry heard
him, mornings, trying to hum it while he shaved.
They insisted that he take a chair. He, with a sense of intrusion, took
the arm of one, and kept hat and stick (his thin bamboo) in his hands.
Mildred said reflectively:--
'Corinne writes that she'll be back for a week late in August.' Then,
noting the touch of dismay on Henry's ingenuous countenance, she added,
'But you mustn't have her on your conscience, Henry.'
'It isn't that----'
'I'm fond of Corinne. But I can see now that you two would never get on
long together. In a queer way you're too much alike. At least, you
both have positive qualities. Corinne will some day find a nice little
husband who'll look after the business side of her concerts. And
you--well, Henry, you've got to have some one to mother you.' She smiled
at him thoughtfully. 'Some one you can make a lot of.'
'No.' Henry's colour was up. He was shaking his head. 'You don't
understand. I'm through with girls. They're nothing in my life.
Nothing!'
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account