Henry of Monmouth, Volume 1: Or, Memoirs of the Life and Character of Henry the Fifth, as Prince of Wales and King of EnglandTyler, James Endell
History
Henry of Monmouth, Volume 1: Or, Memoirs of the Life and Character of Henry the Fifth, as Prince of Wales and King of England
Tyler, James Endell
Henry V, King of England, 1387-1422
The extraordinary confusion of place and time, pervading the "Second
Part of King Henry IV," is only equalled by the mistaken view which
the writer gives of the character of Henry of Monmouth. News of the
overthrow of Archbishop Scrope is brought to London on the very day on
which Henry IV. sickens and dies; whereas that King was himself in
person in the north, and insisted upon the execution of the
Archbishop, just eight years before. The Archbishop was beheaded on
Whitmonday (June 8) in the year 1405. Henry IV. died March 20, 1413.
And instead of Henry, the Prince, being either at Windsor hunting, or
in London "with Poins and other his continual followers," when (p. 356)
his father was depressed and perplexed by the rebellion in the north,
he was doing his duty well, gallantly, and to the entire satisfaction
of his father. We have a letter, dated Berkhemstead, March 13, 1405,
written by the King to his council, with a copy of his son Henry's
letter announcing the victory over the Welsh rebels at Grosmont in
Monmouthshire, which was won on Wednesday the 11th of that month. The
King writes with great joy and exultation, bidding his council to
convey the glad tidings to the mayor and citizens of London, that
"they (he says) may rejoice with us, and join in praises to our
Creator."
Thus does history prove that, in every instance of Shakspeare's
fascinating representations of Henry of Monmouth's practices, the poet
was guided by his imagination, which, working only on the vague
tradition of a sudden change for the better in the Prince immediately
on his accession, and magnifying that change into something almost
miraculous, has drawn a picture which can never be seen without being
admired for its life, and boldness, and colouring; but which, as an
historical portrait, is not only unlike the original, but misleading
and unjust in essential points of character.
Public-domain text, read in full here on John Shaqi.
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