Henry of Monmouth, Volume 2: Or, Memoirs of the Life and Character of Henry the Fifth, as Prince of Wales and King of EnglandTyler, James Endell
History
Henry of Monmouth, Volume 2: Or, Memoirs of the Life and Character of Henry the Fifth, as Prince of Wales and King of England
Tyler, James Endell
Henry V, King of England, 1387-1422
"At the coronation of Henry V," observes Dr. Burney, "in 1413, (p. 200)
we hear of _no other instruments than harps_;[149] but one of that
prince's historians[150] tells us that their number in the hall was
prodigious. Henry, however, though a successful hero and a conqueror,
did not seem to take the advantage of his claim to praise; and either
was so modest or so tasteless as to discourage and even prohibit the
poets and musicians from celebrating his victories and singing his
valiant deeds. When he entered the city of London, after the battle of
Agincourt, the gates and streets were hung with tapestry, representing
the history of ancient heroes; and children were placed in temporary
turrets to sing verses. But Henry, disgusted at these vanities,
commanded, by a formal edict, that for the future no songs should be
recited by harpers, or others, in honour of the recent victory.
'_Cantus de suo triumpho fieri, seu per citharistas, vel alios
quoscunque, cantari, penitus prohibebat._'
[Footnote 149: Dr. Burney has here fallen into a
most extraordinary mistake. In the very page to
which he refers, Elmham, in his turgid manner,
assures us that at Henry's coronation the
tumultuous clang of so many trumpets made the
heavens resound with the roar of thunder. He then
describes the sweet strings of the harps soothing
the souls of the guests by their soft melody; and
the united music of other instruments also, by
their dulcet sounds, in which no discord
interrupted the harmony, inviting the royal
banqueters to full enjoyment of the festival.]
[Footnote 150: Thomas de Elmham, Vit. et Gest. Hen.
V. edit. Hearne, Oxon. 1727, cap. xii. p. 23.]
"It is somewhat extraordinary that, in spite of Henry's edicts and
prohibitions, _the only English song of so early a date, that has come
to my knowledge, of which the original music has been preserved_, is
one that was written on his victory at Agincourt in 1415. It is
preserved in the Pepysian Collection, at Magdalen College,
Cambridge."[151]
[Footnote 151: Burney's History of Music, vol. ii.
p. 382.]
Public-domain text, read in full here on John Shaqi.
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