Henry Smeaton: A Jacobite Story of the Reign of George the First.James, G. P. R. (George Payne Rainsford)
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Henry Smeaton: A Jacobite Story of the Reign of George the First.
James, G. P. R. (George Payne Rainsford)
Jacobite Rebellion, 1715 -- Fiction
Neither is there any other house to be seen, look which way you will;
for the wide downs only serve for sheep-pasture, and have such a look
of depopulation that, in some of the slopes of the ground, one might
fancy one was standing alone upon the earth, just after the universal
deluge had subsided. I know not whether it looks more lonely when all
the heavens are covered with grey clouds, or when the bright sun
shines upon it from the broad undimmed sky.
Nevertheless, when the musical bell rings on the Sabbath morn from the
old pale tower, the desert seems to waken into life, and people come
streaming over the hills--now a solitary man or woman, now a group of
two or three, now a family, young and old, age and boyhood, now a
group of children, sporting as they run. The scene is all changed, and
it is very pleasant to behold.
Within that church, too, are records of other days which would seem to
show that the neighbourhood was not always so scantily peopled as at
present. The gravestones in the churchyard, indeed, are not thick or
many, and you can walk at ease, without stumbling, over the little
mounds where rest the mortal remains of the peasantry. But within,
against the walls, and even let into the pillars, are many tablets of
marble, black or white, recording virtues and good qualities, and
affection and mourning, which have now left no other memorial behind
them. In the aisles, too, and in the chancel (for the church is built
somewhat in the form of a cathedral), are various very beautiful
monuments of different ages; the mail-clad warrior, spurred and
sworded, the pilgrim from the Holy Land, even a mitred abbot, judges,
and statesmen, and soldiers of a later day--ay, and the tomb of an
infant princess--are there; while, on the pavement on which you tread,
the old stained glass window at the east end, the only one remaining,
sheds its gem-like colours upon slabs of marble, bearing inscriptions
and effigies in brass.
Public-domain text, read in full here on John Shaqi.
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