successful as for the time being was the "Golden Legend," the dream of Longfellow's poetic life would have been fulfilled. In view of such praise as Ruskin's, the question of anachronism more or less is of course quite secondary. Errors of a few centuries doubtless occur in it. Longfellow himself states the period at which he aims as 1230. But the spire of Strassburg Cathedral of which he speaks was not built until the fifteenth century, though the church was begun in the twelfth, when Walter the Minnesinger flourished. "The Lily of Medicine," which Prince Henry is reading when Lucifer drops in, was not written until after 1300, nor was St. John Nepomuck canonized until after that date. The Algerine piracies did not begin until the sixteenth century. There were other such errors; yet these do not impair the merit of the book. Some curious modifications also appear in later editions. In the passage where the monk Felix is described in the first edition as pondering over a volume of St. Augustine, this saint disappears in later editions, while the Scriptures are substituted and the passage reads:-- "Wherein amazed he read A thousand years in thy sight Are but as yesterday when it is past And as a watch in the night;" and in the next line "downcast" is substituted for "cast down," in order to preserve the rhyme. A very curious modification of a whole scene is to be found where the author ventured in the original edition (1851) to introduce a young girl at the midnight _gaudiolum_ or carnival of the monks, she being apparently disguised as a monk, like Lucifer himself. This whole passage or series of passages was left out in the later editions, whether because it was considered too daring by his critics or perhaps not quite daring enough to give full spirit to the scene.