Longfellow spent his summer at the water-cure in Marienberg, with some diverging trips, as those to Paris, Antwerp, and Bruges. In Paris he took a letter to Jules Janin, now pretty well forgotten, but then the foremost critic in Paris, who disliked the society of literary men, saying that he never saw them and never wished to see them; and who had quarrelled personally with all the French authors, except Lamartine, whom he pronounced "as good as an angel." In Bruges the young traveller took delight in the belfry, and lived to transmit some of its charms to others. At Antwerp he had the glories of the cathedral, the memory of Quintin Matsys, and the paintings of Rubens. His home at Marienberg was in an ancient cloister for noble nuns, converted into a water-cure, then a novelty and much severer in its discipline than its later copies in America, to one of which, however, Longfellow himself went later as a patient,--that of Dr. Wesselhoeft at Brattleboro, Vermont. He met or read German poets also,--Becker, Herwegh, Lenau, Auersberg, Zedlitz, and Freiligrath, with the latter of whom he became intimate; indeed reading aloud to admiring nuns his charming poem about "The Flowers' Revenge" (_Der Blumen Rache_). He just missed seeing Uhland, the only German poet then more popular than Freiligrath; he visited camps of 50,000 troops and another camp of naturalists at Mayence. Meantime, he heard from Prescott, Sumner, and Felton at home; the "Spanish Student" went through the press, and his friend Hawthorne was married. He finally sailed for home on October 22, 1842, and occupied himself on the voyage in writing a small volume of poems on slavery. {56 _Harvard College Papers_ [MS.], 2d ser. ix. 318.} {57 _Harvard College Papers_ [MS.], 2d ser. ix. 336.} {58 _Harvard College Papers_ [MS.], 2d ser. x. 363.} {59 _Harvard College Papers_ [MS.], 2d ser. xi. 153.} {60 _Harvard College Papers_ [MS.], 2d ser. xi. 187.} CHAPTER XIV ANTI-SLAVERY POEMS AND SECOND MARRIAGE It is difficult now to realize what an event in Longfellow's life was the fact of his writing a series of anti-slavery poems on board ship and publishing them in a thin pamphlet on his return. Parties on the subject were already strongly drawn; the anti-slavery party being itself divided into subdivisions which criticised each other sharply. Longfellow's temperament was thoroughly gentle and shunned extremes, so that the little thin yellow-covered volume came upon the community with something like a shock. As a matter of fact, various influences had led him up to it. His father had been a subscriber to Benjamin Lundy's "Genius of Universal Emancipation," the precursor of Garrison's "Liberator." In his youth at Brunswick, Longfellow had thought of writing a drama on the subject of "Toussaint l'Ouverture," his reason for it being thus given, "that thus I may do something in my humble way for the great cause of negro emancipation."