There is no doubt that the reading public at large has confirmed the opinion of Dr. Oliver Wendell Holmes when he says, "Of the longer poems of our chief singer, I should not hesitate to select 'Evangeline' as the masterpiece, and I think the general verdict of opinion would confirm my choice.... From the first line of the poem, from its first words, we read as we would float down a broad and placid river, murmuring softly against its banks, heaven over it, and the glory of the unspoiled wilderness all around." The words "This is the forest primeval" have become as familiar, he thinks, as the "Arma virumque cano" which opened Virgil's "Æneid," and he elsewhere calls the poem "the tranquil current of these brimming, slow-moving, soul-satisfying lines." The subject was first suggested to Longfellow by Hawthorne, who had heard it from his friend, the Rev. H. L. Conolly, and the outline of it will be found in "The American Note-Books" of Hawthorne, who disappointed Father Conolly by not using it himself. It was finished on Longfellow's fortieth birthday. It was a striking illustration of the wide popularity of "Evangeline," that even the proper names introduced under guidance of his rhythmical ear spread to other countries and were taken up and preserved as treasures in themselves. Sumner writes from England to Longfellow that the Hon. Mrs. Norton, herself well known in literature, had read "Evangeline," not once only, but twenty times, and the scene on Lake Atchafalaya, where the two lovers pass each other unknowingly, so impressed her that she had a seal cut with the name upon it. Not long after this, Leopold, King of the Belgiums, repeated the same word to her and said that it was so suggestive of scenes in human life that he was about to have it cut on a seal, when she astonished him by showing him hers.