English fiction -- 20th century; Lancashire (England) -- Fiction
Fires are fires in Staithley, as Tom was in the habit of telling
Londoners who put coal by the dainty shovelful into a doll’s house
grate, and if he was commanded to shut up he could do it, but the open
window was a persecution. There was a silent pantomime of two elderly
gentlemen one of whom struggled to close a window, the other to keep it
open, then Tom turned to the defeated Walter with a “What the hangment’s
come over you?”
“Have you no soul at all, Tom? Couldn’t you hear her?”
“I heard a street-singer.”
“You heard a class voice, and you’re going to hear it again.” Mr. Pate
was at the window.
“Then bring her in,” said Tom. “I’ll freeze for no fad of yours. A class
voice in Staithley streets!”
“A capacity to play chess is a limiting thing,” was fired at him as
Mr. Pate left the room. Tom took an amicable revenge by emptying both
glasses of beer. “I’ve cubic capacity, choose how,” he said, indicating
their emptiness as Walter returned with the girl who had been singing.
“Get warm,” said Walter to her. “Then we’ll have a look at you.”
She had, clearly, the habit of taking things as they came, and went to
the fire with as little outward emotion as she had shown when Walter
pounced upon her in the street. She accepted warmth, this strange,
queerly luxurious room, these two men in it, as she would have accepted
the blow which Walter’s upraised hand and voice had seemed to presage in
the street--with a fatalism full of pitiable implications.
She was of any age, beyond first childhood, that went with flat-chested
immaturity; she was dirty beyond reason, but she had beauty that shone
through her gamin disorder like the moon through storm-tossed cloud. Her
tangled hair was dark auburn, her eyes were hazel and as the fire’s heat
soaked into her a warm flush spread over her pinched face like sunshine
after rain on ripening corn.
“Can you sing anything besides ‘Lead Kindly Light?’” asked Walter.
“Of course she can’t,” said Tom. “It’s the whole of the beggar’s opera.”
He was sore about that opened window and resented this girl who
had disturbed a musical evening. He had appetite for more than the
“Meister-singer,” and seemed likely, through the intruder, to go
unsatisfied.
She looked pertly at Tom. “’A can, then,” she said. “Lots more, but,”
her eyes strayed round the room, “’a dunno as you’d fancy ’em.”
“Go on,” said Walter. “There’ll be supper afterwards.”
“Crikey,” she said, and sang till he stopped her, which was very soon.
They had a taste in the meaner public-houses of Staithley for the sort
of song which it is libelous to term Rabelaisian. Her song, if she did
not know the meaning of its words, was a violent assault upon decency;
if she did know--and her hesitation had suggested that she did--it was
precocious outrage.
“Stop it,” cried Walter, horrified.
Tom spat into the fire. “My constituents!” he groaned. “Walter, it’s a
queasy thought.”
“I thought you favored education,” said Walter.
“I do, but--”
Public-domain text, read in full here on John Shaqi.
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