English fiction -- 20th century; Lancashire (England) -- Fiction
“My dear Montagu, I’m delighted,” said Mr. Chown. “You will honor me by
dining with me? They have a Chablis here that really is not unworthy of
your acceptance.”
It was flattering to be thought a connoisseur of wine, and Chown had
skillfully mentioned a wine that couldn’t go beyond Montagu’s _savoir
vivre_, instead of the more esoteric drinks of his own preferring. Yet
Mr. Chown, taking trouble to secure a guest, wanted nothing of Montagu
but his company. The theater is at once convivial and self-insulating.
Chown hated solitude, and though there were hail-fellow-well-met
commercial travelers in the hotel whose conversation would have been
a tonic, he preferred the limited Mr. Montagu. Erroneously, Mr. Chown
despised commercial travelers.
Mr. Montagu, in gratitude, decided to give Mr. Chown a hint. Mr. Chown
was in evening dress.
“I am glad to hear,” said Mr. Chown, who had heard nothing at all, “that
you are having excellent houses.”
The houses were no better than Montagu’s inexpensive company deserved.
“I am not,” he confessed, “doing musical comedy business. Still, they
have a feeling for the legitimate here. Staithley’s a good town, if,” he
added, trying to give his kindly hint, “it isn’t dressy.”
“No. I suppose one mustn’t judge these people by their clothes. They
don’t put their money on their backs in the North. They’ve more left to
spend on the theater, Montagu.”
“And the music-hall.”
“Ah! You feel the competition?”
“I wasn’t meaning that. Look here, Chown, are you coming in to see my
show to-night?”
“Well--” Mr. Chown’s whole anatomy, as seen above the table, was apology
incarnate.
“No. You’re not. I didn’t think it and that’s why I didn’t ask at once.
It’s some one at the Palace you’ve come to see, isn’t it?”
“What makes you think so?”
“Well, there’s nothing else in Staithley.” The theater _is_
self-insulating. “And you haven’t come here for your health. But, if
you’ll excuse my saying it, they don’t dress for the theater, let alone
the Palace, and if you go there as you are, they’ll throw things at you
from the gallery.”
“Montagu, I shan’t forget this kindness,” said Chown.
“You put me under obligation to you. But--did you never hear of an
Eisteddfod?”
“Is it a new act on the halls?” asked Mr. Montagu, who did not rapidly
clear his mind of an obsession.
Mr. Chown smiled. “Not yet,” he said, but “out of the mouths of
babes and sucklings,” he thought, mentally filing an idea for future
reference.
“Wait a moment,” said Mr. Montagu. “Why am I thinking of Lloyd George?”
“Because of a natural association of ideas. Staithley Eisteddfod,
however, is a Lancashire occasion with a Welsh label that hasn’t much to
do with it. You may recall the Hand Bell Ringers who were on the halls
some years ago. I picked them up at Staithley Eisteddfod. It’s a sort of
competitive festival of song, and if I were not dressed, I should not be
admitted to the stalls.”
Public-domain text, read in full here on John Shaqi.
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