English fiction -- 20th century; Lancashire (England) -- Fiction
And he had, that night, his reward for the labor of these months. It
was Saturday night, and the audience stopped eating chocolates. Darley
wasn’t looking at the stage, he was looking at the audience and he knew
triumph when he saw it. They stopped eating. Darley looked upon his work
and knew that it was good.
“_Ich dieu_” he muttered. “By God, I do. Where’s the bar?”
CHAPTER VI--THE DREAM IN STONE
IF some one idiosyncratic and original, some one bold to challenge the
accepted order, had dared to put Mary Arden on her defense, if it had
been asked what she was doing in the war, she would have replied with
cool assurance that she was keeping her head about it when nothing was
more easy than intemperance. Every day her post brought letters which
encouraged the belief, not that she made an opportunity of war, but that
she held high rank amongst home-keeping indispensables. Her letters
from unknown men in the trenches were explicit that Mary Arden was the
England they were fighting for--food, if she had cared to eat it, for
the grossest conceit.
She was, by now, the leading musical comedy exponent of demureness, with
Chown as her undroppable pilot; and Pate, Darley and a procession of
stage managers who had steered less ably than that devoted pair were
forgotten’ rungs on the ladder she had climbed. She kept her head about
things more yeasty, in her microcosm more demoralizing, than the war;
she kept her head about success and kept it about men. She rode vanity
on the snaffle because she was herself ridden by ambition.
Once the ambition had been trivial, once she had aimed no higher than a
house in Staithley as big as Walter Pate’s, but she had grown since then
and, with her, ambition grew, rooted in something older than her vanity
or than herself, rooted in the Bradshaw hatred of the Hepplestalls.
Secretly she nursed her ambition to possess a great house on Staithley
Edge, high, dominating the town of the Hepplestalls, a house to make the
old Hall look like a cottage, a house where she would live, resuming her
name of Bradshaw, eclipsing the Hepplestalls in Staithley.
Public-domain text, read in full here on John Shaqi.
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