English fiction -- 20th century; Lancashire (England) -- Fiction
His companion, only arrived that day from France, let his eyes stray
sensuously over the appointments of the restaurant. He was to eat in a
room decorated in emulation of a palace at Versailles; the chefs were
French; the guests, when they were not American, were of every allied
or neutral European nationality; the band played jazz music; and to the
marrow of him, as he contemplated the ornate evidences of materialistic
civilization, he exulted in his England. The hardship was that he
couldn’t spend the whole of this leave in London: he must go,
to-morrow, to Staithley. He was, he had been for six months, Sir Rupert
Hepplestall, but when his father died the 1918 German push was on and
leave impossible. Decidedly he must go North, this time, this once,
though--oh, hang the Hepplestalls! Why couldn’t they let him go quietly,
to look in decent privacy at his father’s grave? But no: they must
make him a director of the firm and they must call a meeting for him to
attend. Well-meaning but absurd old men who had not or who would not
see that Rupert was free of Hepplestall’s now. Sincerely he mourned
his father’s death, and they wouldn’t let him be simple about it, they
complicated a fellow’s pilgrimage to Sir Philip’s grave by their obtuse
attempt to thrust his feet into Sir Philip’s shoes.
That needn’t matter to-night, though, that sour affront to the idea of
leave: it was his complication not Carton’s who, good man, had met him
at the station. Like Rupert, Carton had gone from Cambridge to the war,
then he had lost a leg and now had a job at the War Office: and the
jolly thing was that Carton hadn’t altered, he was as he used to be even
to calling Rupert by that old nickname. If you have seventy-three inches
you are naturally called Fairy and out there nobody ever thought of
calling you anything else except on frigidly official occasions. But
you were never quite sure of the home point of view; the thing called
war-mind made such amazing rabid asses of the people who were not
fighting and you weren’t certain even of Carton and now you were a
little ashamed of having been uncertain. Of course, old Carton would not
rot him about his title; of course, he would call him Fairy, he wouldn’t
allude to that baronetcy of which Rupert was still so shy.
“Stop dreaming, Fairy,” said Derek, and he looked across the table to
find a page-boy at Derek’s elbow and a theater-list on the table before
him. “What shall it be?”
“Oh, Robey, I suppose.”
“Yes,” Derek agreed. “Usually Robey’s first choice. Just now, it’s Robey
or ‘Granada the Gay,’ with a girl called Arden.”
“You’re in charge,” said Rupert. “I’ve heard of Mary Arden.”
Public-domain text, read in full here on John Shaqi.
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