English fiction -- 20th century; Lancashire (England) -- Fiction
Privately, he had self-criticism and tried to stifle it. There was
a miasma of disillusionment everywhere; there was the Peace that was
mislaid by French pawnbrokers instead of being made by gentlemen; there
was the impulse to forget the war on the part of the civilian population
who now seemed so brutally in possession; there was the treatment of
disbanded soldiery which, this time, was to have belied history, and
didn’t. He strained to believe the current dicta of the minority mind
and to find in them excuse for his lethargy.
He was, no doubt, tired; but whatever subtle infections of the soul
might be distressing him, materially at any rate he was immune from the
common aggravation of high prices. He made that explicitly one of his
excuses. It wasn’t fair that he, who had all the money he needed, should
take a job from a man who needed money. “There’s unpaid work,” thought
Mary, but she did not say it. She thought he must sooner or later see it
for himself.
He did see it and tried to blink at it. He was of the Hepplestalls, of a
race who weren’t acclimatized to leisure, who found happiness in setting
their teeth in work. He was born with a conscience and couldn’t damp it
down. He was aware, at the back of behind, that it was hurting him to
turn a deaf ear to the call of Staithley. He had done worse things
than Staithley implied in the necessity of war, and there was also a
necessity of peace. He felt nobly moral to let such sentiments find
lodgment in his mind.
His father’s diffident comparison of the Hepplestalls with the Samurai
came back to him. Yes, one ought to serve, but it wasn’t necessary to
go to Staithley to be a Samurai. One could be a Samurai in London. He,
decisively, was forced to be a Samurai in London because he had married
Mary Arden and to wrench her from her vocation, to take her away from
London, was unthinkable.
Public-domain text, read in full here on John Shaqi.
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